Initial Impressions of the Fujifilm GFX 100 II Medium Format Digital Camera
As a landscape photographer, the tools of the trade are crucial to capturing the world in all its stunning detail. Recently, I had the opportunity to acquire and start using the Fujifilm GFX 100 II Medium Format Digital Camera, and after a few days of putting it through its paces, I am ready to share my initial impressions. This review covers the camera’s technical specifications, ergonomics and handling, autofocus performance, and dynamic range.
Technical Specifications
The Fujifilm GFX 100 II is a powerhouse in the medium format camera world. Here are some of its standout specs:
Sensor: 102MP medium format CMOS sensor (43.8mm x 32.9mm)
Processor: X-Processor 5
ISO Range: 100-12,800 (expandable to 50-102,400)
Shutter Speed: 1/4000 sec mechanical, 1/16,000 sec electronic
Autofocus: 425-point phase-detection system
Video: 4K at 30p, 10-bit 4:2:2 internal recording
Stabilization: 5-axis in-body image stabilization (IBIS)
Viewfinder: Removable 5.76M-dot OLED EVF
LCD: 3.2-inch, 2.36M-dot touchscreen
Weather-Sealing: Dust, moisture, and freeze resistance
Connectivity: Dual card slots (CFexpress Type B, SD UHS-II), USB-C, HDMI, Wi-Fi, Bluetooth
This camera is designed to deliver exceptional image quality, making it a fantastic choice for professionals and enthusiasts alike.
Ergonomics and Handling
One of the first things I noticed about the GFX 100 II is its solid build quality. The camera feels robust and well-balanced in hand, despite its larger size. The grip is substantial, providing a comfortable and secure hold, which is essential for extended shooting sessions.
The button layout is intuitive, with most controls easily accessible while looking through the viewfinder. The customizable buttons and dials allow for a personalized shooting experience, which I found very helpful. The removable OLED EVF is bright and clear, making composition and focusing a pleasure, even in challenging lighting conditions.
The 3.2-inch touchscreen is responsive and tilts, which is useful for shooting at various angles. Navigating the menu system is straightforward, and the interface is clean and user-friendly, a hallmark of Fujifilm cameras.
Autofocus Performance
The autofocus system on the GFX 100 II is impressive, especially considering it’s a medium format camera. The 425-point phase-detection AF system covers nearly the entire frame, providing accurate and reliable focus. In my initial tests, the autofocus was quick and locked onto subjects with ease, even in low light conditions.
Tracking moving subjects was also a positive experience. While medium format cameras are not typically known for their speed, the GFX 100 II performed admirably in this regard, making it suitable for a wider range of photographic applications, including some slow action photography.
Dynamic Range
Dynamic range is a critical factor for landscape photography, and the GFX 100 II excels in this department. The 102MP sensor captures an incredible amount of detail in both highlights and shadows. In high-contrast scenes, the camera preserved details across the spectrum, allowing for greater flexibility in post-processing.
During my initial shoots, I was particularly impressed with how the camera handled challenging lighting conditions. The ability to recover details from the shadows without introducing noise was outstanding, and the highlights retained their richness and detail.
Conclusion
After a few days of using the Fujifilm GFX 100 II, my initial impressions are overwhelmingly positive. This camera combines high-resolution imaging with excellent build quality, intuitive handling, and robust performance. The autofocus system is fast and reliable, and the dynamic range is superb, making it an ideal choice for landscape photographers like myself.
While the GFX 100 II is an investment, its capabilities justify the price for those seeking the highest image quality in a versatile package. I look forward to exploring its full potential in the coming weeks and sharing more detailed insights. For now, it’s safe to say that the Fujifilm GFX 100 II has made a strong first impression and is a worthy addition to any professional photographer’s toolkit.
Best Professional or "Workhorse" Cameras for 2021
In this guide I list the best but yet affordable cameras for the professional photographer. These cameras are designed to be great hybrid cameras with very good performance for both still photography and video. These cameras can be used for most genres of photography except those that have very specific special needs . These cameras can be used effectively for Wedding and Event Photography, Portrait and fashion photography, sports and action photography etc where the emphasis is on speed and efficient workflow.
In this guide I list the best also affordable cameras for the professional photographer. These cameras are designed to be great hybrid cameras with very good performance for both still photography and video. These cameras can be used for most genres of photography except those that have very specific special needs . These cameras can be used effectively for Wedding and Event Photography, Portrait and fashion photography, sports and action photography etc where the emphasis is on speed and efficient workflow.
Leica SL2-S
Price in India ₹ 356,780 Price in the USA $4,995.00
Leica SL2-S Features
Camera type: Mirrorless full-frame system camera with 24.6 MP CMOS Sensor
Buffer memory: 4 GB: DNG™: > 999 recordings / JPG: > 999 recordings
Storage medium: UHS-II (recommended), UHS-I, SD/SDHC/SDXC memory card
Image Stabilization: 5 axis Body Image Stabilization. Camera stabilizes up to 5.5 stops.
Video resolution:
35 mm - C4K (17:9) 4096x2160 pixels (Sensor range: 6000 x 3168 pixels)
35 mm - 4K (16:9) 3840x2160 pixels (Sensor range: 6000 x 3368 pixels)
35 mm - Full HD (16:9) 1920x1080 pixels (Sensor range: 6000 x 3368 pixels)
Viewfinder (EVF): Resolution: 5,760,000 dots, 120 fps, magnification: 0.78x,
LCD panel: 3.2“ (backlight LED) with anti-fingerprint and anti-scratch coating, 2,100,000 pixels
Shutter speeds: Mech. shutter: 30 min to 1⁄8000 s / Electr. shutter function: 1 s to 1⁄16000 s / Flash Sync: up to 1/250 s.
Multishot High Res : Generates 2 DNGs: 1x 24 MP, 1x 96 MP (8 pictures are combined into one high-res image)
WLAN and Bluetooth ; Yes with Leica FOTOS App
GPS : Yes with Leica Fotos App
USB Power Supply:
USB charger function in standby mode or when switched off, USB power supply when switched on
Canon R6
Price in india Price in the USA
Canon R6 Features
High Image Quality featuring a New 20 Megapixel Full-frame CMOS Sensor.
DIGIC X Image Processor with an ISO range of 100-102400; Expandable to 204800.
High-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps electronic (silent) shutter.
Dual pixel CMOS AF covering approx. 100% area with 1,053 AF areas.
Subject tracking of people and animals using deep learning technology.
Video capture resolution: 4K UHD 2160p
Cinematic 4K Capture - 4K (up to 60 fps) and Full HD 1080 (up to 120 fps) recording is ideal for quality content creation.
4K and Full HD video shooting is possible in 10-bit 4:2:2 (H.265) with Canon Log or HDR PQ.4K and Full HD video shooting is possible in 10-bit 4:2:2 (H.265) with Canon Log or HDR PQ.
OLED EVF Resolution - 3.69 Million Dots
Mechanical Shutter - Cont. shooting up to 12 fps
Electronic (Silent) Shutter - Cont. shooting up to 20 fps
5-axis Image Stabilizer - In-body image stabilization offers up to 8 stops of shake correction** for smooth, steady imagery.
Wireless Capabilities
Built-in Wi-Fi and Bluetooth allow for quick and convenient wireless connectivity.
A polycarbonate exterior body and an internal structure of mainly magnesium enable high durability.
SONY ALPHA 1
Price in India Rs 559,990 Price in the USA $6,774.95
Sony Alpha 1 Features
50.1MP* full-frame stacked Exmor RS CMOS sensor w/ integral memory.
8x more powerful*, next generation BIONZ XR image processing engine.
Blackout-free shooting up to 30fps from fast sensor readout speed.
World’s first 240 fps refresh rate, 9.44M dot 0.64” QXGA OLED EVF.
World’s first anti-flicker mechanical and electronic shutter.
Wide AF coverage with 759-point phase-detection and 425-point contrast detection AF points
EYE AF - Still images: Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, Movie: Human (Right/Left Eye Select)
FOCUS SENSITIVITY RANGE - EV–4 to EV20 (ISO 100 equivalent with F2.0 lens attached)
Movie-making with 8K 30p and 4K 120p
Anti Dust System - Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
BLUETOOTH®
Yes (Bluetooth Standard Ver. 5.0 [2.4 GHz band])
WIRELESS LAN (BUILT-IN)
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac [2.4-GHz band/5-GHz band])14
USB POWER SUPPLY
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
OPERATING TEMPERATURE
32 - 104 degrees F / 0 - 40 degrees C
Sony A9 II
Price in India Rs. 423,990 Price in the USA $4,498.00
Sony a9 II Features
35 mm full frame (35.6 x 23.8 mm), Exmor® RS CMOS sensor
24.2-megapixel 35 mm full-frame stacked CMOS sensor with integral memory
BIONZ X™ processing engine
20fps continuous shooting with AF/AE tracking
Wide AF coverage with 693-point phase-detection and 425-point contrast detection AF points
1000BASE-T LAN terminal, 5 GHz Wi-Fi support for fast data transfer
LENS COMPATIBILITY - Sony E-mount lenses
BATTERY LIFE (STILL IMAGES)
Approx. 500 shots (Viewfinder)/approx. 690 shots (LCD monitor) (CIPA standard)34
VIEWFINDER TYPE
1.3 cm (0.5 type) electronic viewfinder (colour), Quad-VGA OLED
MONITOR TYPE
7.5 cm (3.0-type) type TFT
Precision AF effective down to EV-3 brightness
Real-time Eye AF for humans and animals
Body-integrated 5-axis optical image stabilisation -
Shutter durability and image shake suppression - The shutter has been tested for durability in excess of 500,000 shutter-release cycles and incorporates an internal damper structure to absorb the impact of shutter motion for minimum shutter vibration and noise, helping to also realise more sharply resolved imaging.
Dual media slots, both supporting UHS-II
High-resolution 4K movie recording
The camera is capable of 4K movie recording with full-pixel readout without pixel binning.
Imaging Edge Remote, Viewer, and Edit desktop apps
Capture One (for Sony)
Capture One Express (for Sony)47 is free award-winning editing software that provides RAW development, easy management and powerful editing tools.
NIKON Z6 II
Price in India Rs. 1 64 995.00 Price in the USA $1,996.95
Nikon Z6 II Features
24.5MP BSI resolution that excels in low light. 14 FPS suitable for fast action. 4K UHD Video performance at its best.
Full frame. Full pixel readout. Full featured 4K UHD Video. Top of the line video performance with 4K UHD 60p using full pixel readout and a host of outstanding features for serious videographers. Subject acquisition with speed and precision. 3.5x more buffer capacity than the original Z 6. Faster continuous shooting. Improved AF performance and functionality.
Dual card slots (CFexpress/XQD plus UHS-II SD). Flexibility and peace of mind when shooting important moments or on assignment, such as wedding and event photography. Comfortable. Durable. Intuitive. Z 6II’s exterior and interior have been thoughtfully designed to be handled and used with max comfort and ease of operation. CFexpress (Type B), XQD, SD, SDHC (UHS-II compliant), SDXC (UHS-II compliant)
Vertical Grip Ready. Now compatible with the new vertical battery grip for those in need of more power and easier shutter operation when shooting vertically. USB-C constant power and charging. Never run low on power during livestreams, video shoots and timelapses.
One mount accepts them all. Compatible with a growing line of NIKKOR Z lenses as well as approx. 360 F-mount NIKKOR lenses with FTZ mount adapter (sold separately).
Optical Zoom : 1.0 Multiplier x
Video Frame size (pixels) and frame rate
3840 x 2160 (4K UHD): 30p (progressive)/25p/24p 1920 x 1080: 120p/100p/60p/50p/30p/25p/24p 1920 x 1080 (slow-motion): 30p x4/25p x4/24p x5 * Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively
Metering system- TTL metering using camera image sensor
Metering mode - Matrix metering Center-weighted metering: Weight of 75% given to 12 mm circle in center of frame; weighting can instead be based on average of entire frame Spot metering: Meters 4 mm circle (about 1.5% of frame) centered on selected focus point Highlight-weighted metering
Range : -4 to +17 EV * Figures are for ISO 100 and f/2.0 lens at 20 °C/68 °F
Mode - Auto, P: programmed auto with flexible program, S: shutter-priority auto, A: aperture-priority auto, M: manual U1, U2 and U3: user settings modes
Exposure compensation : –5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M
Wifi and Bluetooth 4.2
5 axis IBIS
Panasonic Lumix S1
Price in India ₹ 1,48,338.63 Price in the USA $1,914.95
Lumix S1 Features
FULL FRAME SENSOR – 24.2-megapixel full-frame (35.6mm x 23.8mm) MOS sensor that provides a wide dynamic range and excellent performance at high sensitivity. (ISO 51200 Max sensitivity)
5-AXIS BODY I.S. and DUAL I.S.– Powerful image stabilization enables 6-stops slower shutter speed with B.I.S. and 6.5-stops with Dual I.S. by intelligently compensating the shakes
4K HDR VIDEO - 4K 60p, 4K 24/30P unlimited recording, 4K60P 29:59 min limited recording. HDR Mode and Hybrid Log Gamma (HLG). V-Log with Internal 4:2:2 10-bit 4k30/24p (4K60p output only) available via optional software upgrade key.
96MP HIGH RESOLUTION MODE – A sensor shift technology suitable for taking very high-resolution landscapes and fine art photos via tripod with toggleable motion correction capabilities
LVF and MONITOR – 3.2” 2,100K-dot RGBW LCD monitor (3:2 aspect ratio) with triaxial tilt moving element, plus large 5,760k-dot high-resolution OLED eye viewfinder in a rugged body
Although most of the cameras above are mirrorless cameras it does not mean DSLRs have suddenly become unsuitable for professional photography. Cameras like the Nikon D850 and Canon 5D IV are still very good options for a good professional workflow. in fact great deals can be found on these DSLRs in both new and used condition.
Best Cameras for Intermediate Level or Amateur Photographers - 2021
So you have been using an Entry level DSLR or Mirrorless Camera with a kit lens for a while now and you have the basics down pat. You are ready to take your photography to the next level and want to get a more capable camera and lens combination. This guide is for you. I have listed here the best value for money cameras in the ₹ 65,000 (roughly 900$ USD) to ₹ 1,50,000 ($USD 2000) price range for camera body plus one non kit lens.
So you have been using an Entry level DSLR or Mirrorless Camera with a kit lens for a while now and you have the basics down pat. You are ready to take your photography to the next level and want to get a more capable camera and lens combination. This guide is for you. I have listed here the best value for money cameras for 2021 in the ₹ 65,000 (roughly 900$ USD) to ₹ 1,50,000 ($USD 2000) price range for camera body plus one non kit lens.
Canon EOS 850D + 18-55 IS STM Lens Kit
Price ₹ 74,990.00
Canon 850D Features
24.1 APS-C Sensor
AF : OVF: 45 AF points maximum (all cross-type) / Live View: Maximum 3 975 selectable AF point positions / Up to 143 AF areas (auto selection)
Shutter Speed Range (s). Stills: 30 - 1/4 000s, Bulb , Movie recording: 1/8 - 1/4 000s
LCD Monitor (Size) - 7.62cm(3.0in)
Memory Card Type - SD, SDHC*, SDXC*, *UHS-I cards compatible
Flash sync - 1/200s
Effective ISO Stills: 100 - 25 600 (H:51 200)
Movie: 4K UHD: 100 - 6400 / Full HD:100 - 12 800 (H:25 600)
Shooting Modes Stills: Scene Intelligent Auto, Special scene modes (Portrait, Smooth Skin, Group Photo, Landscape, Sports, Kids, Close-up, Food, Candlelight, Night Portrait, Handheld Night Scene, HDR Backlight Control), Creative filters (Grainy B/W, Soft focus, Fish-eye effect, Water painting effect, Toy camera effect, Miniature effect, HDR art standard, HDR art vivid, HDR art bold, HDR art embossed), Program AE, Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb Movie recording: Auto, Scene Intelligent Auto, Manual exposure, Special Scene (HDR movies), Creative filters (Dream, Old Movies, Memory, Dramatic B&W, Miniature effect movie)
Pair this Camera with Canon EF-S 18-135mm f/3.5-5.6 Image Stabilization USM Lens (Black)
Canon EF-S18-135mm f/3.5-5.6 IS USM
Price ₹ 29,990.00
Driven by Nano USM, this compact EF-S standard zoom lens with 7.5x zoom covers most shooting scenes, whether of your travel destination or an everyday scene. It retains the same optical technology used in the best-selling EF-S18-135mm f/3.5-5.6 IS STM lens, which prevents flaring and ghosting to realize high image quality. Dynamic IS corrects major instances of camera shake and it's just one part of the overall IS image stabilizing system which stabilizes images an equivalent of 4 shutter speed settings.
In fact, this lens is optimized for both stills and movie shooting thanks to Nano USM which ensures high speed, seamless, and quiet AF as you shoot. The lens uses a 7 blade circular aperture, which promises beautiful bokeh circles. It's also compatible with the optional Power Zoom Adapter PZ-E1, which helps you to carry out even smoother zoom operations.
Filter size: 67mm
Maximum aperture: f/3.5-5.6
Canon EOS 90D + EF-S 18-135 IS USM Lens + 128 GB SD card
Price ₹ 1,31,194.00
Canon EOS 90D Features
32.5megapixel APS-C CMOS Sensor + DIGIC 8 processor
Dual pixel CMOS AF
45 cross-type AF (Optical Viewfinder)
Face detection (Optical Viewfinder & Live View)
5 481 selectable focus positions (Live View)
Eye Detection AF (One-Shot & Servo AF – Live View)
4K Video (Uncropped/Cropped)
High Speed Capturing of 10/11 FPS
Image Stabilizer Lens-shift type & In-body 5 axis electronic image stabilisation
Peripheral ConnectionsHi-Speed USB, HDMI (Type C) / Microphone / Headphone / Remote
EF-S 18-135 IS USM Lens Features
7.5x zoom range
Filter size: 67mm
Maximum aperture: f/3.5-5.6
Sony Alpha 6600M Camera with 18-135 mm Zoom Lens kit
Price ₹ 1,49,000.00
24.2 Mpix APS-C Sensor
5 Axis Optical Image stabilisation
Real time eye AF for still / Video and Animal Eye AF
Real time tracking
World fastest 0.02 Sec AF speed with 425 phase detection and contrast points
EXMOR CMOS sensor with outstanding light sensitivity
True-to-life 4K HDR (HLG) movie recording
High-capacity Z battery supports long-duration shooting
11 FPS continuous shooting with AF/AE, ISO sensitivity up to 102400
180 degree tilt able touch LCD screen
BATTERY LIFE (STILL IMAGES)
Approx. 720 shots (Viewfinder)/Approx. 810 shots (LCD monitor) (CIPA standard)2
VIEWFINDER TYPE
1.0 cm (0.39-type) electronic viewfinder (colour)
MONITOR TYPE
7.5 cm (3.0-type) wide type TFT
14-bit RAW output with rich tonal gradation
Focus Peaking and Focus Magnification
External mic and audio input plus headphone jack
S-Gamut/S-Log shooting
One-touch remote, One-touch sharing, Location Information Link
Sony A7 Mark III with 28-70mm Lens
Price ₹ 1,59,900.00
Sony A7 Mark III Features
24.2MP 35 mm full-frame CMOS sensor with back-illuminated design
Standard ISO range from 100 to 51200
15-stop dynamic range at low-sensitivity settings
14-bit RAW output for natural gradations
5-axis optical in-body image stabilisation
4D Focus – Wide, Fast, Steadfast, AF performance inherited from α9
Fast Hybrid AF with 693 phase-detection and 425 contrast-detection AF points
Tenacious AF/AE tracking during continuous shooting at up to 10 fps and up to 8fps in live view mode with mechanical or silent shutter
4K HDR with high resolution, wide dynamic range, and a wide color gamut approaches reality
Outstanding reliability and features for smooth, confident shooting in a compact body
Fast AF/AE tracking for continuous shooting at up to 10 fps
2 Year standard warranty + 1 year extended warranty on registration on alpha community
Full pixel readout without binning for high-resolution 4K movies
28-70mm f3.5-5.6 lens included
Fujifilm XT30
Price ₹ 67,500.00 Price in the USA $899.00
Fujifilm XT30 Features
(APS-C) X-Trans CMOS 4 ,26.1 million pixels
Ultra Sonic Vibration Sensor Cleaning system
Accepts SD Card (-2G) / SDHC Card (-32G) / SDXC Card (-512G) UHS-I
ISO 160 to 12800
Mechanical + Electronic Shutter
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
DCI 4K 30p/4K 30p/FULL HD 120 p Video
Fujifilm Film Simulation Modes
Playback functions RAW conversion, Image rotate, Auto image rotate, Face Detection, Red-eye removal, Photo-book assist, Erase selected frames, Multi-frame playback (with micro thumbnail), Slide show, Protect, Crop, Resize, Panorama, Favourites, Voice Memo Setting
Wifi and Bluetooth 4.2
Wireless function Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave, Image Transfer Order, Instax printer print
Battery life for still images. Approx. 380 frames
Operating Temperature 0°C - 40°C (+32°F - +104°F)C
Lens Recommendations for the XT30
Fujinon XF18-135mmF3.5-5.6 R LM OIS WR Zoom Lens. Price ₹ 67,248.00
Fujifilm XF 35mm F1.4 R Lens. Price ₹ 45,450.00
Fujifilm Fujinon XF16-80mmF4 R OIS WR Lens. Price ₹ 59,000.00
Fuji Film XT3
Price in India ₹ 93,531.00
Fujifilm XT3 Features
26.1mp x-trans cmos 4 sensor with degree x-processor 4 image processing engine
4k movie recording
Internal SD card 4k/60p 4: 2: 0 10bit recording
First mirrorless digital camera with aps-c or larger sensor that is capable of 4k/60p 4: 2: 2 10bit hdmi output when it was launched
2.16m phase detection pixels across entire frame and low-light phase detection limits has been increased over x-t2 by 2 stops, from -1ev to -3ev 3.69 million dot oled color viewfinder with 0.75x magnification and blackout-free burst
Accepts SD memory card (-2GB) / SDHC memory card (-32GB) / SDXC memory card (-512GB)
UHS-I / UHS-II / Video Speed Class V90 *1
Sensor Cleaning system Ultra Sonic Vibration
Auto bracketing
AE Bracketing (Frames: -2, -3, +3, +2, ±9, ±7, ±5, ±3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV、5/3EV、2EV、7/3EV、8/3EV、3EV)
Film Simulation bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)
White Balance Bracketing (±1, ±2, ±3)
Focus Bracketing (Frames: 1-999, Step: 1-10, Interval: 0-10s)
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Video Recording
DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps
Full HD(2048×1080)/Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps
Film Simulation Modes
16 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema)
B & W Adjustment: -9-+9
Buy XT3 Kit On Flipkart
Lens Recommendations for XT3
XF18-135mmF3.5-5.6 R LM OIS WR Zoom Lens. Price ₹ 67,248.00
XF 35mm F1.4 R Lens. Price ₹ 45,450.00
Fujinon XF16-80mmF4 R OIS WR Lens. Price ₹ 59,000.00
Fujinon XF55-200mmF3.5-4.8 R LM OIS Zoom Lens Price ₹ 48,499.00
NIKON Z50 + NIKKOR Z DX 16-50mm f/3.5-6.3 VR + NIKKOR Z DX 50-250mm f/4.5-6.3 VR Lens Kit
Price in India ₹ 87,499.00. Price in the USA $1,196.95
Nikon Z50 Features
20.9 Mpix CMOS Sensor
File format NEF (RAW): 12 or 14 bit, JPEG
3.2 in Monitor
Autofocus system - Hybrid phase-detection/contrast AF with AF assist, 209 focus points, upto -4 EV
Wifi and Bluetooth 4.2
Video Recording 3840 x 2160 (4K UHD); 30p and Full HD Upto 120p
ISO 100 to 51200
NIKKOR Z DX 50-250mm f/4.5-6.3 VR
Max Aperture f/ 4.5 to 6.3
Min Aperture f/ 22 to 32
VR (Vibration Reduction) image stabilization
Filter-attachment size. - 62 mm
NIKKOR Z DX 16-50mm f/3.5-6.3 VR
Min Aperture f3.5 to f6.3
VR Lens
The Best High Resolution Digital Cameras for Landscape and Travel Photography - 2021 Update
As an exhibiting Landscape and Travel Photographer what i’m looking for in the ideal camera system is 1. High Resolution .2 High Dynamic Range 3. Rugged Build and sturdy weatherproofing 4. Good Ergonomics and Most Importantly 5. The best IQ or Image Quality which is a combination of Sensor technology and quality of lenses available for the system.
What matters to a much lesser degree is the cameras video capabilities as long as i can record video in some standard form for purposes of documentation and selling my work.
As an exhibiting Landscape and Travel Photographer what i’m looking for in the ideal camera system is 1. High Resolution .2 High Dynamic Range 3. Rugged Build and sturdy weatherproofing 4. Good Ergonomics and Most Importantly 5. The best IQ or Image Quality which is a combination of Sensor technology and quality of lenses available for the system.
What matters to a much lesser degree is the cameras video capabilities as long as i can record video in some standard form for purposes of documentation and selling my work.
What does not matter to me are High Burst Rates(or FPS) or Advanced AF Systems and whether it is a DSLR or a Mirrorless system. Although I must admit having that extra information regarding the image that a mirrorless camera can provide is an advantage that I’m quickly getting used to.
So with this checklist of criteria I decided to have a fresh look at the currently available cameras from all the different camera brands. The purpose is to create a buying guide of the same high standards that I would use to buy a camera with my own hard earned money so that it can serve as a practical guide for someone looking to upgrade their camera system in 2021.
*All cameras will have 45 Mpix or more of Resolution. Have class leading dynamic range . Be Well Built. And have an excellent lineup of lenses to choose from.
*The cameras would have a full frame or bigger sensor.
LEICA SL2
Price in India ₹ ₹ 549000
Price in the USA $6,545.53
Leica SL2 Features that matter
47.3 MPix CMOS Sensor with high dynamic range and 14 bit colour depth.
Native ISO 50-50,000
In Body Image Stabilisation (IBIS - 5.5 STOPS)
187 MPix Multishot Mode
Best in Class Build Quality & Dust- and Spray water resistant (IP54)
Minimalistic and Beautiful Design
Works With Leica SL LENSES, TL, CL Lenses, L Mount Alliances from Panasonic and Sigma and with Sigma MC-21 Adaptor Canon EF Lenses albeit with lessened performance (reduced battery performance and no continuous AF) Also compatible with Leica M Lenses with ADAPTOR.
The improved EyeRes® EVF matches an outstanding 5.76MP panel with an eyepiece built with finest metal and glass and the tightest mechanical and optical tolerances to deliver an unmatched viewing experience, and allow the easiest composition of the image.
The SL2 has two UHS-II compatible SD card slots, raw files can be saved simultaneously in DNG and JPEG format.
CANON R5
Price in India ₹ 3,25,990.00
Price in USA $3,899.00
Canon R5 Features that Matter for the Landscape and Travel Photographer
45MP full-frame CMOS sensor
Up to 8-stop In-Body Image Stabiliser when combined with Optical Image Stabiliser in Canon Lenses.
Supports 2 memory cards:
• 1x SD, SDHC*, SDXC*
• 1x CF express memory card (Type B compatible) *UHS-I & UHS-II cards compatible
Silent shutter
HDR PQ HEIF 10-Bit
5,940 manually selectable AF positions, and up to 1,053 AF frame segments in the AF auto-area selection modes, this means greater flexibility in image composition.
Good Low light shooting capabilities with a Native ISO Range of 100-51200 and AF performance in conditions as low as -6 Ev.
Improved Ergonomics
AF selection is quick and intuitive with the multi-controller, which has 3 levels of sensitivity to choose from.
The EOS R5 also inherits the 3 dials (1 main dial and 2 quick control dials) from the EOS 5D series for quick and convenient operation.
High-Precision EVF
A high resolution electronic viewfinder of approximately 5.76 million dots displays bright and clear images even at f/22, which comes in useful for ultra-telephoto shots.
High Battery Capacity
The new high-capacity LP-E6NH battery features an increased 2130mAh capacity, allowing you to shoot more and do more with the feature-packed EOS R5.
The camera is also compatible with the BG-R10 battery grip that accommodates two battery slots and easier handling for vertical shooting.
Build Quality
A robust magnesium alloy body ensures toughness and durability while remaining relatively light, whereas weather sealing on critical areas help prevent dust and moisture from penetrating the body
Shutter Durability
500,000 cycles.
Wifi and Bluetooth Connectivity
The EOS R5 is equipped with built-in support for 5GHz and 2.4GHz wireless LAN*,
Bluetooth Low Energy (BLE) technology enables a constant, low-powered connection between the camera and a paired compatible smart device.This allows for geotagging of images and remote camera operation through the Camera Connect app.
FUJIFILM GFX 100S
Price in India ₹ 5,39,999.00
Price in USA $5,999.99
GFX 100S Features that Matter
Larger than Full Frame 43.8mm x 32.9mm Sensor
102 Mpix Resolution
Accepts Fujifilm G Mount Lenses. G Mount lenses are engineered to match the resolving capability of 100 Mpix Sensors.
Startup Time 0.5 Sec
Max FPS 5.0
Focal Plane Shutter with Shock Absorber rated for 150,000 shutter cycles.
6 Stops of IBIS
Pixel Shift Multi-Shot function combines 16 RAW files to create a single 400MP image that reproduces the finest details with ultimate color accuracy.
With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color, instantly, straight out of camera and with a new FIlm Simulation mode to explore – Nostalgic Neg.
In-camera RAW processing provides the option of saving 8-bit or 10-bit color depth images as 8-bit or 16-bit TIFF files. It even has the ability to record a centered 36x24mm image when using a 35mm format lens with a compatible mount adapter.
Storage Media : SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*1
Video Recording DCI 4K/4K 30P and Full HD 2048X100 and Full HD 1920X1080 60P
WIFI and Low Energy Bluetooth
USB-C Interface
Operating Temperature -10˚C to 40˚C
Lens suggestions for GFX 100 S
SONY A7R MARK IV
Price in India ₹ 2,99,000.00
Price in the USA $2,998.00
SONY A7R Features That Matter
61.0 MPix full-frame Exmor R CMOS sensor and BIONZ X image processing engine
Wide 15-stop dynamic range at low ISO sensitivity
Standard ISO 100–32000 range
Fast Hybrid AF with 567-point focal-plane phase-detection AF and 425-point contrast-detection AF
BATTERY LIFE (STILL IMAGES). - Approx. 530 shots (Viewfinder)/Approx. 670 shots (LCD monitor)
VIEWFINDER TYPE - 5.76-million-dot UXGA OLED Tru-Finder)
MONITOR TYPE -7.5 cm (3.0 in-type) type TFT
IBIS - 5.5 STOPS 5-axis optical in-body image stabilisation.
Dual media slots, both supporting UHS-II SD CARDS
Pixel Shift Multi Shooting supports compositing a picture from 16 pixel-shifted images to output a 240 Mpix Image
Wireless PC Remote function and Image transfer using WiFi
Improved Weather and Dust Resistance
Touch Screen Operations for some functions.
4K Video
NIKON Z7 II
Price in India Rs. 2,49,995.00
Price in USA $2,996.95
Features of the Nikon Z7 II that matter
45.7 Mpix BSI CMOS Sensor without OLPF with the highest DXO Mark rating of 100 (highest for a full frame camera)
High Dynamic Range 12 or 14 bit RAW Files
ISO Range 64 - 25600
Dual Processing Engines
Powerful In Camera Processing for Time Lapse Capture, Multiple Exposures, 900 second long exposures with smartphone triggering, focus stacking with upto 300 focus shifted captures which can be stacked later in computer.
4K Ultra HD video at 60p or Full HD video at uptown 120 p
Accepts Nikon Z Mount lenses natively and F mount lenses with FTZ Adaptor.
3.60 Million Pixel OLED EV
3.2 in TFT Monitor
Hybrid phase-detection/contrast AF with AF assist
-3 to +19 EV (-4 to +19 EV with low-light AF) at ISO 100
Operating Temp Range - 0˚C to 40˚ C
Lens Options for Nikon Z7 II
Leica S3
Price in India Rs 16,50,000
Price in the USA $ 19,995
Leica S3 Features that matter
The S3 features the next generation of the Leica ProFormat sensor, now with 64-megapixel resolution.
With dimensions of 30 x 45mm, it offers a light sensitive surface area that is larger by 56% over full frame.
15+ Stops of Dynamic Range
ISO Range from 100 - 50,000.
Leica S3 has all the essential technology for shooting professional video footage in 4K cinema resolution and full-HD.
The Leica S3 is supported by a solid range of Leica S Lenses. 3rd Party Lenses are supported by means of adaptors.
Built to Last
Lens Suggestions for S3
Panasonic LUMIX S1R
Price in India ₹ 2,75,000.00
Price in the USA $3,697.99
S1R features that matter
47.3MP Full-Frame MOS Sensor
Venus Engine Image Processor
5.76m-Dot 0.78x-Magnification OLED LVF
3.2" 2.1m-Dot Triaxial Tilt Touchscreen
UHD 4K60 Video Recording
ISO 100-25600, Up to 9 fps Shooting
Contrast-Detect 225-Area DFD AF System
Sensor-Shift Image Stabilization
Weather-Sealed Construction
187MP High-Res Mode, Dual Card Slots
Excellent choice of lenses to choose from Including Lumix S Lenses, Leica and Sigma L Mount Lenses. Also compatible with Canon EF Mount lenses via Sigma MC-21 Adaptor.
Lens Suggestions for Lumix S1R
The above mentioned cameras by their very nature also lend themselves to other genres of photography such as Product , Fashion and Portrait work in Studio. Of course they can be used for event , wedding and even street photography too but It might just make more sense to use more lighter, faster systems which generate smaller file sizes and have better practical video performance. I will cover these “Professional” or “Workhorse” cameras in another guide.
Best Cameras for Beginners - A Buying Guide 2021
I frequently get asked this question by friends and family. The question being which camera do you recommend for beginners? I decided to compile this quick reference guide to help this who are looking to buy their first camera with manual contols. Below is a quick reference guide to the currently available cameras with their MRP or Street Prices here in India.
I frequently get asked this question by friends and family. The question being which camera do you recommend for beginners? I decided to compile this quick reference guide to help those who are looking to buy their first camera with manual controls. Below is a quick reference guide to the best digital cameras for beginners available here in India. I have also provided links where the cameras can be purchased.
The cameras listed here are priced between Rs 30,000 and Rs 65,000.
The minimum criteria is that the cameras should have at least a 24 Mpix Sensor which has become the standard now for entry level cameras. There are more expensive cameras that could be considered as beginner cameras but I’ve capped the price at 65,000 which is a reasonable amount for a beginner camera system.
The DSLR Cameras tend to be cheaper but are still capable cameras. Mirrorless cameras sport the latest technology but are a little pricey. You can’t go wrong with buying any of the cameras in this list.
They say that the first 10,000 photos are your worst. These cameras are all worthy companions for the beginners journey to photographic excellence.
Canon 1500 D Kit
24.1 Mpix APSC Sensor, 9 Point AF, 1 Center Cross Type AF Point, Max ISO 6400, Wifi/NFC , 3.0 “ LCD Screen, Video : Yes 1920 X 1080 Full HD, Accepts EF-S lenses only + 18-55mm lens.
Rating 7/10.
Good DSLR camera for beginners for Photography and Casual Video.
₹ 30995
Canon 1500D
2 lens Kit
24.1 Mpix APSC Sensor, 9 Point AF, 1 Center Cross Type AF Point, Max ISO 6400, Wifi/NFC , 3.0 “ LCD Screen, Video : Yes 1920 X 1080 Full HD, Accepts EF-S lenses only + 18-55mm lens + 55-250mm lens.
Rating 7/10.
Good DSLR camera kit for beginners for Photography and Casual Video.
Canon M200 kit
24.1 Mpix APS-C sensor, Dual Pixel AF, 143 AF Areas, Eye Detection AF, 4K Video , 3.0 in LCD Monitor + EF-M 15-45mm lens (24-70 full frame equivalent) Accepts EF-M lenses.
Rating 7/10.
Good Mirrorless Camera Kit for beginners for Vlogging, Video and Photography.
₹ 39,250
Order it here
Canon 200 D II + Lens Kit
24.1 Mpix APS-C Sensor, Dual Pixel AF,Eye Detection AF, Max ISO - 51200, 4K Video, 5fps, Wifi/NFC/Bluetooth, Accepts EF-S Lenses. 3.0 in Vari Angle LCD + 18-55mm lens
Rating 8/10
Entry level but powerful DSLR Camera Kit for Photography and Video. Can be a great tool in the right hands.
Rs 50,999
Canon M200 2 Lens Kit
24.1 Mpix APS-C sensor, Dual Pixel AF, 143 AF Areas, Eye Detection AF, 4K Video , 3.0 in LCD Monitor + EF-M 15-45mm lens (24-70 full frame equivalent)+ EF-M 55-200mm lens. Accepts EF-M lenses.
Rating 7/10
Good for Vlogging, Video & Casual Photography.
₹ 49990
Canon M50 Mark 1 Kit
24.1 Mpix APS-C sensor, Dual Pixel AF, 143 AF points, 4K Video , 3.0 in fully articulating LCD screen + EF-M 15-45mm lens (24-70 full frame equivalent) Accepts EF-M lenses and EF , EF-S lenses via adaptor Wifi, NFC,Bluetooth 4.1, 2.36 Million Pix Viewfinder. 5 Axis Image Stabilization.
Rating 9/10.
Good for Video, Vlogging, Photography. One of the best available at this price range.
₹ 54995
Canon M50 mark ii Kit
24.1 Mpix APS-C sensor, Dual Pixel AF, 143 AF points, 4K Video , 3.0 in fully articulating LCD screen + EF-M 15-45mm lens (24-70 full frame equivalent) Accepts EF-M lenses and EF , EF-S lenses via adaptor Wifi, NFC,Bluetooth 4.1, 2.36 Million Pix Viewfinder. 5 Axis Image Stabilization.
+Live Streaming, Vertical Videos in 4K and Cloud Storage.
Rating 10/10.
₹58995
Good for Live Streaming, Vlogging, Video, Photography. The New Benchmark at this price.
Sony a5100 kit
24.3 Mpix, APS-C sensor, Wifi plus NFC, 179 AF Points, Upto 11 fps shooting, Max ISO 25600, 3.0 in 180˚Tiltable LCD screen + 16-50mm lens, Accepts Sony E-Mount Lenses.
Rating 7/10.
Good for casual photography and video
₹40990
Sony a6000 kit 1
24.3 Mpix, APS-C sensor, Wifi plus NFC, Upto 11 fps shooting, Max ISO 25600, 3.0 in LCD screen + 16-50mm lens Accepts Sony E-Mount Lenses.
Rating 8/10
Good for Photography and Casual Video
₹48990
Sony a6000 2 lens kit
24.3 Mpix, APS-C sensor, Wifi plus NFC, 179 AF Points, Upto 11 fps shooting, Max ISO 25600, 3.0 in 180˚Tiltable LCD screen + 16-50mm lens + 55-210mm lens. Accepts Sony E-Mount Lenses.
Rating 8/10
Good For Photography and casual video.
₹61490
Sony a6100 Body
24.3 Mpix, APS-C sensor with Fast AF, 425 Phase Detect AF Points, Wifi plus NFC, Upto 11 fps shooting, Max ISO 32000, 3.0 in 180˚Tiltable LCD screen , EYE AF, ANIMAL AF, Accepts Sony E-Mount Lenses. 4K/ 30p & Full HD /120p Video.
Rating 9/10
Good for Vlogging, Video, Photography.
₹64990
Nikon D3500
24.2 Mpix CMOS Sensor, 11 focus points, Contrast Detect AF,WiFi, NFC and Bluetooth. Full HD 60P Video Recording, 3.0 in LCD screen, Nikon F- Mount Lenses.
Rating 6/10
Good for Photography and casual video
₹30450
Nikon D3500 1 lens kit
24.2 Mpix CMOS Sensor, 11 focus points, Contrast Detect AF, full HD 60P Video Recording, 3.0 in LCD screen, Nikon F- Mount Lenses + 18-55mm lens.
Rating 6/10
Good for Beginner and Casual Photography& Video.
₹35450
Nikon D3500 2 lens kit
24.2 Mpix CMOS Sensor, 11 focus points, Contrast Detect AF, full HD 60P Video Recording, 3.0 in LCD screen, Nikon F- Mount Lenses + 18-55mm lens + 70-300 mm lens.Wifi,NFC and Bluetooth.
Rating 6/10
Good budget option for Photography and Casual Video.
₹44950
Fujifilm XT 100
24.2 MP Mirrorless Camera with XC 15-45 mm Lens (APS-C Sensor, Electronic Viewfinder, Face/Eye Detection, 3" 3-Way Tilting Touchscreen, 1080p and 4K 15p, Vlogging, Film Simulation Modes).
Rating 6/10
Good for Photography, Vlogging and casual video
Rs 36,449
Fujifilm X-T 200
24.2 MP Mirrorless Camera with XC 15-45 mm Lens ,APS-C Sensor, Electronic Viewfinder, 3.5" Vari-Angle Touchscreen, 425 Point Face/Eye AF, 4K Video Vlogging, Film Simulations.
Ranking 8/10
Good for Photography, Vlogging, Video.
Rs.54,597
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Weebill S Gimbal Transmission Pro Package Gimbal Unboxing
Is the Weebill S Transmission Pro Package the best value deal among entry level pro Gimbals? I certainly hope so. Ive just got one and check out my unboxing video. The gimbal seems perfect for my requirements at this stage. Hope the build quality holds up.
Purchased from www.futureforward.in
Price Rs 37,000
Gimbal Release Date Nov 2019
A back story to this Unboxing . Why did I decide to get a Gimbal?
There are a couple of reasons. One,. I’ve Been meaning to get a gimbal to improve the production value of my YouTube videos
Secondly, As video has become the medium for marketing and YouTube becoming the 2nd most used search engine I’m doing more and more video work as an extension of my photography.
As the thought of getting a Gimbal intimidated me for a few reasons including the thought of carrying more gear. I got the Osmo Pocket first as I though it would be a much easier transition to using a gimbal and would allow me to practice my gimbal movements before getting a proper gimbal.
I have been using that for about a year now and felt that I have now reached the limitations of the Osmo Pocket and now need a proper gimbal for my Canon 5D4 and Leica SL2.
Gimbals I looked at Weebill S, Crane 2s, Crane 3s and the DJI Ronin S and SC .
Finally Decided on the Weebill S as it was the best value package now with the Pro Transmission Pro Package combo.It met my payload requirements and also the ergonomics and size seemed more suited to how I like to work.
Check out my unboxing video at the bottom of this page. And if you want to order the Weebill S here’s a link to do that.
Buy Weebill S gimbal here
Buy Weebill S Transmission Pro Package here
In the Box
Weebill S Gimbal - 3 Kg Payload
Battery Type. 2 x 18650
Capacity (mAh). 2600 mAh
Battery Runtime. 12 to 14 Hours
Handle /Mini tripod
Quick Release plate
Zhiyun-Tech Transmount HDMI Wireless Video Transmitter For WEEBILL-S/CRANE 3S/2S
Transmission Distance
328' / 100 m
Transmount Mobile Holder
Zhiyun-Tech TransMount Max Servo Zoom/Focus Controller For CRANE 3 LAB/2S, WEEBILL-S/
All the required connecting cables for controlling the most popular camera and hdmi cables to connect the camera with the transmission module.
Thats it for now with the Webills S . You can expect to start seeing footage shot with the Weebill S in my upcoming videos. Also will do a review of the Gimbal after a few weeks of using it.
Canon R6 Preview
20.1 MP full-frame CMOS sensor
4K DCI Video unto 60 fps and HD Video unto 120 FPS
Up to 8-stop In-Body Image Stabilizer X Optical Image Stabilizer
Low-light performance up to EV -6.5 + ISO 102 400
Up to 20 fps + Animal Detection AF
MRP INR 215,995. / USD 2,499
Canon R6
20.1 Megapixel and 4k Video Upto 60 FPS
The Canon R6 is the latest low light and video centric offering officially launched on 9th of July along with the flagship R5. The R6 looks to be a great camera in its own right . The highlight Specs being
20.1 MP full-frame CMOS sensor
4K DCI Video unto 60 fps and HD Video unto 120 FPS
Up to 8-stop In-Body Image Stabilizer X Optical Image Stabilizer
Low-light performance up to EV -6.5 + ISO 102 400
Up to 20 fps + Animal Detection AF
3.69 million dots EVF
MRP INR 215,995. / USD 2,499
The EOS R6 is equipped with an approximately 20.1-megapixel full-frame CMOS sensor, an improved version of the same sensor found in the flagship professional DSLR EOS-1D X Mark III. According to Canon the latest DIGIC X image processor gives the EOS R6 the high-speed processing capability to perform high-speed shooting, fast and precise AF performance and excellent noise reduction .
Improved ergonomics on the R6
The R6 has as similar layout to the R5
HDR PQ HEIF 10-Bit Recording
The Canon R5 and R6 now have a new feature where one can achieve realistic images with HDR PQ images, which offer more dynamic range and 4 times more gradation than conventional JPEG, without the need for post-processing.
HEIF files can be converted easily to HDR-PQ-like JPEG format, either in the camera or on another device, using Digital Photo Professional.
R6 has a Mode Dial instead of LCD Screen
Modern Canon Design with little to fault
Dual Pixel CMOS AF II
Newly upgraded, the Dual Pixel CMOS AF II enables the EOS R6 to perform fast and highly precise autofocusing and subject-tracking across approximately 100% × 100%* of the image area.
With up to 6 072 manually selectable AF positions, and up to 1 053 AF frame segments in the AF auto-area selection modes, you can take aim on small, unpredictable subjects and enjoy greater freedom in image composition.
R6 equipped with USB 3.0, Micro HDMI Out and 2.4 GHz Wifi
Connectivity on par with the best in full frame
4K Uncropped Video
Record movies in breathtaking 4K UHD resolution at 60p (NTSC)/50p (PAL) without crop, using the entire width of the sensor.
4K Frame Grab & Time-Lapse
Grab a high resolution still image of approximately 8.3MP from a 4K movie.
You can also record 4K time-lapse videos easily, even in challenging lighting conditions.
Canon Log
Catering to the professional needs of post-production, Canon Logo, originally a key staple of the Cinema EOS System, gives you up to 12 stops of dynamic range in your movie footage.
You also get greater control over shadows, highlights and colour saturation in post-processing for rich, detailed footage even in high-contrast scenes.
HDR PQ
Record highly realistic HDR video footage akin to viewing with the actual human eye. No colour grading is needed, which streamlines the post-production workflow.
HDR PQ footages can also be viewed on compatible displays.
My Thoughts
The Canon R6 appears to finally fill a big gap in Canons Camera Lineup. It looks to be a great tool for Canon Hybrid Shooters . If you are a Canon user with a range of Canon EF lenses and have been looking to move to mirrorless this is a great option. Wedding, Event, Sports Photographers will all be able to produce good still content with this camera.
For filmmakers too this camera shows a lot of potential. What remains to be seen is whether there is any limitations to video shooting such as overheating during normal practice.
For me personally this is not a camera I would choose for my work simply because I need high resolution images such as those from the Canon R5 or Leica SL2 .
Canon finally launches the high resolution R5 and here are my initial thoughts
Like many other Canon Camera users I have been waiting with bated breath for the high resolution mirrorless replacement for the 5DS-R to be available. It has been close to 2 years since the launch of the uninspiring EOS R and over 4 years since the launch of the Canon 5D IV.
And finally now in 2020 in the middle of a Pandemic Canon has come out with some good news in the form of the Canon R5 and R6.
I watched the global online launch on the 9th of July and found myself beaming with pride for Canon when the specs were revealed for the R5 and R6 .
Canon R5
45 Megapixel, 8K DCI Movie, 4k DCI 120 FPS
Like many other Canon Camera users I have been waiting with bated breath for the high resolution mirrorless replacement for the 5DS-R to be available. It has been close to 2 years since the launch of the uninspiring EOS R and over 4 years since the launch of the Canon 5D IV.
And finally now in 2020 in the middle of a Pandemic Canon has come out with some good news in the form of the Canon R5 and R6.
I watched the global online launch on the 9th of July and found myself beaming with pride for Canon when the specs were revealed for the R5 and R6 .
The specifications look mighty impressive at first look so let’s have a look at that.
For the R5 The headline specifications and Price at launch being
45MP full-frame CMOS sensor
Up to 8-stop In-Body Image Stabilizer X Optical Image Stabilizer
Up to 20 fps + Animal Detection AF for Photos
8K30 Raw and 4K120 10-Bit Internal Video
5.7 MPIX EVF
Sensor-Shift 5-Axis Image Stabilization
MRP INR 339,995 / USD $3,899
Canon R5
Improved 5D like Ergonomics compared to the EOS R
The R5 is a technological powerhouse. Powered by the latest DIGIC X image processor, the EOS R5 is able to swiftly process large amounts of data to handle high-speed shooting, 8K video and other outstanding achievements possible.
According to Canon it allows for ultra-fast, near-silent burst shooting capabilities of up to 20 fps. AF/AE tracking ensures that your shots are sharp and in focus.
Canon R5
Modern Mirrorless Functionality in a compact package
New for the Canon R5 is HDR PQ HEIF 10-Bit Recording which is supposed to help attain images with more colour and tone detail than conventional JPEG, without the need for post-processing.
HEIF files can be viewed on compatible displays and printed on HDR-compatible printers. They can also be converted easily to HDR-PQ-like JPEG format, either in the camera or on another device, using Digital Photo Professional.
The 8k Video shooting capability brings a bonus feature for photographers .Grab a high resolution still image of approximately 35.4MP from an 8K DCI movie recorded at 30p, which is equivalent to performing continuous shooting at 30 fps.
Canon R5
Equipped with 2.4 Ghz and 5 Ghz Wifi
USB 3 Data Transfer
Micro HDMI Port for external video capture
Mic and Headphone Jacks
And new for Canon is a new 5-axis In-Body Image Stabiliser in the EOS R5 that corrects image blur caused by camera shake, allowing for sharper handheld capture, even with a slower shutter speed.
This also works in tandem with the Optical Image Stabiliser in the lens, offering stability equivalent to shooting with a shutter speed up to 8 stops faster, effectively opening up more possibilities for low-light handheld shooting, super-telephoto and long exposure photography.
High-Precision EVF
A high resolution electronic viewfinder of approximately 5.76 million dots displays bright and clear images even at f/22, which comes in useful for ultra-telephoto shots.
It also has an increased display frame rate of approx 120 fps for faster response time to accommodate burst shooting.
The R5 is also equipped with a 3.2 in flip out screen which makes it easy for shooting self portraits and video recording.
Dual Card Slots
1. CF EXPRESS
2. SD, SDHC, SDXC (UHS-II compatible)
Dual Card Slots
The EOS R5 doubles your memory capacity with dual card slots that fit one SD card* and one CFexpress (Type B) card, which is especially necessary when performing 8K recording or high-speed burst shooting.
*SD, SDHC, SDXC (UHS-II compatible)
Samples of Images shot on R5 from Canon
My Thoughts
These are my initial thoughts from being a long time canon user (over 20 years) , having used all versions of the 5D from the original to the 5D IV and having watched the launch event, watched and read several YouTube Videos and blogs from those who have used the pre production camera are as follows.
With the launch of the Canon R5 Canon is now broadly technologically on Par with the likes of Sony, Leica, Panasonic and Nikon. All of the tech and features listed above means that Canon users are no longer left short changed in the features department.
With respect to video the 8K DCI 30 FPS and 4K 120 FPS allows hybrid shooters to access high end tech in a compact body.But what remains to be seen is how well the R5 is going to be able to handle the overheating issues form the 8K and 4K operation and whether filmmakers will be able to take advantage of the tech in meaningful ways. I am going to hold my opinion on this till I see the results of further tests by filmmakers.
Canon has been very silent regarding the Dynamic Range and overall image quality of the files files from the R5. As a photographer who primarily shoots Travel, Landscape and Fine Art Images this is an area of utmost importance for me. I hope to get my hands on a demo camera and do some real world testing and then make up my mind about the camera.
To summarise I feel Canon is finally moving in the direction required by users. I hope this camera really is what it promises to be.
Whats in my camera bag? 2019
In this video I share what gear I currently use and why. As of June 2020 my gear hasn’t changed since 2019. But I hope to move to mirrorless camera this year finally.
in this video I answer a question I get asked very often and that is “What gear do you use?”
For convenience I have listed links to all the products I have talked about in the video .
My Bag
My Portable Hard Drives
Camera Strap
Camera and Lenses
Other Accessories
Panasonic Lumix S1 R and 70-200mm F4 Lens Short Term Review
Its been about a year since I wrote about my initial impressions of Panasonic’s first high resolution full frame mirrorless camera and its sibling the lower resolution yielding S1.
The cameras are now in stock with dealers here in India and the cameras have started selling in limited numbers to discerning photographers.
Thanks to the good folks at Foto Trade and Panasonic India I was able to get my hands on the S1R and a 70-200MM F4 lens to try out and review.
Panasonic Lumix S1 R and S PRO 70-200mm f4 lens
LUMIX S1R Camera Body
Price and Specs
INR 2,99,000 /USD $3,697.99 Body Only
INR 3,60,000/ USD $4,597.99 kit with 24-105 F4 Lens
47.3MP Full-Frame MOS Sensor
5.76m-Dot 0.78x-Magnification OLED LVF
3.2" 2.1m-Dot Triaxial Tilt Touchscreen
UHD 4K60 Video Recording
ISO 100-25600, Up to 9 fps Shooting
Contrast-Detect 225-Area DFD AF System
Image StabilizationSensor-Shift, 5-Way
Weather-Sealed Construction
187MP High-Res Mode,
XQD & SD Slots
L- Mount
Its been about a year since I wrote about my initial impressions of Panasonic’s first high resolution full frame mirrorless camera and its sibling the lower resolution yielding S1.
The cameras are now in stock with dealers here in India and the cameras have started selling in limited numbers to discerning photographers.
Thanks to the good folks at Foto Trade my preferred camera store in Chennai and Panasonic India I was able to get my hands on the S1R and a 70-200MM F4 lens to try out and review. I have been on the lookout for kit to replace an integral part of my Landscape Photography Kit, the Canon 5DS-R ,Canon 70-200mm f2.8 L IS II and Canon 17-40mm f4 L Lenses which I sold in anticipation of newer and improved mirrorless offerings either from Canon or Panasonic.
I must admit the Panasonic S1R and the S PRO lenses have been on top of my shortlist ever since they have been launched. The camera seems to be exactly what I need for my landscape photography work in terms of its specs and performance based on initial reviews. That and the fact that Canon still has not come up with an offering with high resolution and class leading dynamic range as of this writing ha me looking at other brands for a solution.
Therefore when I was offered an opportunity to review the S1R body and the 70-200 f4 S Pro lens I was quick to take it up.
I have been putting the camera and lens though some basic travel and landscape type shoots. I have been exploring the menu system and settings including the bluetooth and wifi functions on the camera. I have also downloaded the Lumix Sync App which allows us to transfer Jpegs from the camera to a smartphone, tablet or PC. The App also allows for remote shooting with the camera.
After about a week of shooting with the camera in RAW and Jpeg modes and also studying the jpegs and RAW images and doing a bit of post processing with the images using Snapseed and Photoshop Express on my mobile and Lightroom and Capture One on my Mac these are my thoughts on the camera and lens.
The Grip is nice and deep on the S1 R and suits my medium sized hand. The dials and buttons are well laid out.
Build and Ergonomics 8/10
The first thing that one notices when you pick up the camera is the size and weight. For a mirrorless camera its unusually big compared to say the SONY A7 series or the Canon EOS R. It feels more like a Full Frame DSLR. The camera feels solidly built and well balanced . The grip is nice and deep ,almost excessively so.I have fairly big hands and but I could still not cover the entire grip. People with smaller hands might feel a little overwhelmed but for me it’s a minor factor.
The S1 R body and the S pro 70-200mm f4 are built solid for long term professional use.
I really like the layout of the buttons and dials except maybe the position of the on/off switch. The layout will feel familiar to owners of Canon and Nikon Full frame DSLRs as Panasonic seems to have learnt from the well developed and proven ergonomics of those Brands’ professional offerings.
The Menu system is also well laid out . The menu visibility on the rear LCD and the EVF is very good . You can pretty much make any change without taking your eye of the viewfinder. But due to the sheer volume of adjustments an customisation possible there will be a learning curve to get the best out of the camera.
The Camera Body is weather sealed so you don’t have to stop shooting in dust or wet conditions.
Autofocus Performance 7/10
AF Fail in this situation where the background grass and the flower in foreground were about the same in terms of tone.
The Autofocus performance has been OK. Not great. It works well enough in most situations like most modern cameras do. But its not on par with the Canon 5D Mark IV . It definitely not in the same league as cameras like the SONY A7R IV or A9.
AF WORKED IN THIS SEQUENCE OF THREE PHOTOS OF A MOVING SUBJECT.
AF WORKED IN THIS SEQUENCE OF THREE PHOTOS OF A MOVING SUBJECT.
AF WORKED IN THIS SEQUENCE OF THREE PHOTOS OF A MOVING SUBJECT.
For me AF is not so important as I mostly shoot landscapes and travel type of imagery which does not required fast AF.
The AF on this camera is also good enough for casual portraiture, static wedding and travel photography.
I would not recommend this camera if you’re planning to shoot high speed action, sports photography or even very dynamic fashion shoots.
EVF and Manual Focusing 8/10
The EVF on the SIR (and S1) is one of the highest resolution and quality available now. Having said that I still prefer the optical viewfinder.I found that viewing the EVF which is a mini screen does cause some amount of eye fatigue But the several benefits of having an optical viewfinder may actually outweigh the feeling of comfort of using an optical viewfinder. The ability to see actual exposure level, histogram and ability to view the settings menu right within the EVF makes life very useful. A longer use of this camera will be needed to confirm that. The reason I didn’t give the manual focusing of this camera a higher score is I really struggled to focus on the moon while trying to shoot a closeup of a full moon.
Lumix S1 R and S PRO 70-200 FF. 1/160 sec at f 5.6. ISO 640
Image Quality. 8/10
The images straight out of camera have a nice subtle colour pallette.
The camera has 9 photo styles suitable for still photography and a few more suited for video.
[Standard]The standard setting. [Vivid]A setting that produces a more vivid quality with higher saturation and contrast. [Natural] A setting that produces a softer quality with lower contrast. [Flat] A setting that produces a flatter image quality with lower saturation and contrast. [Landscape] A setting suited for sceneries with vivid blue skies and greens. [Portrait] A setting suited for portraits with a healthy and beautiful skin tone. [Monochrome] A monochrome setting with no color shades. [L.Monochrome] A black-and-white setting with rich gradation and crisp black accents. [L.Monochrome D] A monochrome setting that creates a dynamic impression with enhanced highlights and shadows.
S1 R + s pro 70-200 f4 at 200mm. 1/640 sec at f5.6. ISO 640. JPEG straight from camera resized in Lightroom.
I preferred the VIVID shooting style which has a higher default contrast and saturation level rendering images more punchy which is how I like my landscape images . The rest of the modes including Landscape and Portrait modes produced more subtle colours. I suspect the dynamic range available for post processing may be higher in standard, natural and cineD shooting styles. This needs further study.
Dynamic Range and Shadow Recovery Ability
The S1R produces files with good depth and dynamic range. Here are a couple of JPEGs with the images straight out of camera and the shadow recovered images compared . I was not able to work with the RAW files as my version o Lightroom still didn’t recognise these file formats. But a future update should make that possible. I will post the results here once i’m able to do that.
Jpeg Straight Out of Camera
Jpeg after shadow and highlight recovery in Lightroom
High Dynamic Range Sunset Scene Jpeg straight from Camera
High Dynamic Range Sunset Scene Jpeg after post processing in Lightroom
Crop Shooting Modes
The SIR comes with the ability to shoot in different popular crop formats like 16:9, 2:3, 4:5 and 1:1 . With the high resolution of this sensor all crop formats give sufficient resolution to make decent sized prints.
Shot in 16:9 Crop Mode
Shot in 1:1 Square Crop Mode
Shot in 4:5 Crop Mode
Shot in 2:3 Crop Mode
Image Stabilisation 9/10
The S1R has one of the best IBIS systems currently available. It is a dual IS system ie it has in Body Image Stabilisation and Lens ISAccording to Panasonic it gives 5.5 stops of IS. I was able to shoot at a shutter speed of just 1/5 sec with good results at ISO 100 and f11 with the lens zoomed to 98mm. Typically id be shooting at shutter speed of 1/125 sec or more with my non IS Canon 5D 4 even with IS Lenses such as the 70-200 f2.8 L IS even though the lens has IS. Being able to shoot at such lower shutter speeds ia boon in situations that require aus to shoot with
Wireless Connectivity and Lumix Sync App 7/10
Installing the Sync App is easy. But registering the camera for the first time takes a few minutes. I also found that after a few transfers I needed to reregister the camera again to be able to transfer images from camera to phone. The bluetooth function seems to be used to only establish connection between the camera and phone and setup the wifi. The actual transfer happens over wifi direct transfer. The ease of setup and transfer is not bad but still not on par with Canons Camera Connect or Leica’s Fotos App.
The App also allows you to remotely shoot with the camera using live view which can be a useful feature in certain situations.
I wish all camera manufacturers stepped things up a notch and provide the ability to backup images directly to popularly used cloud services such as iCloud, google drive, Adobe etc This would make life so much easier.
Battery Life 7/10
On a full battery there was more than enough capacity to shoot for 2 -4 hours of shooting. The battery life is pretty good considered the EVF is in use while shooting and Rear LCD was being used for transferring images via the App. I found that the battery drained a bit more than on my 5D Mark 4 even when the camera was switched off . I would recommend at least having one spare battery for full day shoots and also to take the battery out of the camera when not in use.
Performance with EF Mount Lenses using SIGMA’s MC 21 Adaptor.
I tested the camera with my EF mount Zeiss Otus Lens and the MC 21 Adaptor. The Manual focusing tools available on this camera really made it very easy to shoot with my Zeiss Otus 55mm f1.4 I was bale to get The Eye is sharp focus consistently while shooting headshots even at f 1.4 .
Changing the Aperture on the lens felt a little rougher and noisier than on an EF Mount body. Also the ZIESS OTUS lens while mounted via the SIMGA MC 21 Adaptor had a little bit of play which was a little discomforting.
SAMPLE IMAGE GALLERY (JPEGS STRAIGHT FROM CAMERA)
Lumix S1 PRO 70-200 F4 Lens
Focal Length - 70 to 200mm
Maximum Aperture. f/4
Minimum Aperture. f/22
Lens Mount. Leica L Format Compatibility
Full-Frame Angle of View. 34° to 12°.
Maximum Magnification. 0.25x
Minimum Focus Distance. 3.02' / 92 cm
Optical Design. 23 Elements in 17 GroupsDiaphragm Blades9, Rounded
Focus Type. Autofocus
Image Stabilization. Yes
Tripod CollarRemovable and RotatingFilter Size77 mm (Front)Dimensions (ø x L)3.32 x 7.05" / 84.4 x 179 mm
Weight 2.2 lb / 985 g
Full Image
zoomed crop to show the sharpness.
My Rating based on use in real world situations
Build Quality 9/10.
The lens built quality is solid. Similar to the Canon L lenses. A little heavier than the equivalent Canon 70-200 f4 L lens.
AF Speed and Consistency 7/10
Bokeh 7/10
Sharpness 8/10
Contrast and Colour Accuracy 9/10
Conclusion
Pros
Its a great first Iteration of Panasonics Full Frame Mirrorless High Res offering. I think this range is only going to get better from here. And even currently its a solid camera system with a huge growing line of lenses available from Leica, Panasonic and Sigma. It has a DSLR like build and ergonomics with all the pluses of a modern mirrorless system. The Colour Science is nice and subtle. The images have very good dynamic range. The body has two card slots which is great for professionals. the EVF is among the best available today. One can’t can’t go wrong buying this camera now and making it a part of your workflow.
Cons
The SIR is a solid camera for most situations except where consistent top of the line AF is required.
The Lumix Sync App needs be better.
It is a heavy camera and system even compared to DSLRs like the Canon 5D Mark 4 and Nikon D850.
Contact Foto Trade at +91 98407 00110/ 7358 568043
Fuji XT-3 Short Term Review
The Photographer’s search for the best camera gear is never done. As mirrorless technology and cameras develop there are now very good APS-C Cameras available. Specially from Fujifilm which has led the charge on development of APS-C cameras with their XT and XH range of cameras. The latest flagship APS-C camera from Fujifilm The X-T3 claims to improve in all aspects from the X-T2 which has already gotten great reviews from the supporters of smaller sensor cameras.
The Photographer’s search for the best camera gear is never done. As mirrorless technology and cameras develop there are now very good APS-C Cameras available. Specially from Fujifilm which has led the charge on development of APS-C cameras with their XT and XH range of cameras. The latest flagship APS-C camera from Fujifilm The X-T3 claims to improve in all aspects from the X-T2 which has already gotten great reviews from the supporters of smaller sensor cameras.
As I get older the idea of a smaller lighter camera system gets more and more attractive. So I decided to check out the XT3 camera and with the help of Foto Trade my local retailer I got hold of an X-T3 and couple of X lenses a. Fujifilm 18-55mm f/2.8-4 OIS and b. Fujifilm 23mm f/2 to test over a period of a week in real world situations.
FUJIFILM X-T3
Price Body Only : INDIA INR 1,00,000, SINGAPORE S$2,299, USA $1,399.00
Kit with 18-55mm f2.8-4.0 Lens : iNDIA INR 1,23,900.00 ,SINGAPORE S$2,899, USA $1,699.00
Specifications
Number of effective pixels 26.1 Megapixels
Image sensor. 23.5mm×15.6mm (APS-C) X-Trans CMOS 4 with primary color filter.
Sensor Cleaning system Ultra Sonic Vibration
Storage media SD memory card (-2GB) / SDHC memory card (-32GB) / SDXC memory card (-512GB)
UHS-I / UHS-II / Video Speed Class V90 *
1File formatStill image. JPEG (Exif Ver.2.3)*2, RAW : 14bit RAW(RAF original format), RAW+JPEG
Number of recorded pixels
L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160
M: (3:2) 4416 x 2944 / (16:9) 4416 x 2488 / (1:1) 2944 x 2944
S: (3:2) 3120 x 2080 / (16:9) 3120 x 1760 / (1:1) 2080 x 2080
Lens mount. FUJIFILM X mount.
Sensitivity. Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3(up to ISO12800) / ISO160 to 12800(1/3 step). Extended output sensitivity : ISO80 /100 /125 / 25600 / 51200
Exposure control. TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure mode. P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation. -5.0EV - +5.0EV, 1/3EV step (movie recording : -2.0EV - +2.0EV)
Image Stabiliser Supported with OIS type lenses
Shutter type. Focal Plane Shutter.
Shutter speed
Mechanical Shutter. P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.
Electronic Shutter*3P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed.
For More Details Specs check out the Fujifilm website.
The Specs are impressive enough but is it any good to use? The Ergonomics and ease of control, Image Resolution and Quality ,low light performance are of utmost importance to me and to a lesser extend speed of operation too.
The Ergonomics
The camera is small even compared to full frame mirrorless cameras like the Sony A7 series or the Canon EOS R. But the grip on the camera is good and fits well in the hand. The weight is nicely balanced with the Lenses specially the kit 18-55.
The Layout of the buttons is typical Fujifilm with dedicated dials for Shutter Speed,ISO and Exposure compensation on the top plate of the camera. The lenses have aperture control rings. The dedicated dials and aperture rings provide ready access to the Exposure triangle of ISO, APERTURE and SHUTTER SPEED without having the need to press any additional buttons or dials or getting into the menu system. The Menu system took me a little getting used to but it seems to be laid out well enough but nothing path breaking like the Hasselblad X1D or Leica SL.
The rear screen is a tilting type screen and does not flip out completely like some the ones on the Canon EOS R.
The one thing I didn’t like is the shutter sound which sounds artificial and just didn’t give me the satisfaction of using a DSLR in that aspect.
Image Sharpness, Resolution and Quality
Once I got used to the controls and menu layout I started shooting a variety of subjects in varied light conditions in and around my home.
Post shooting I imported the images into the latest version of Adobe Lightroom Classic to inspect and review the images. I primarily shot in RAW mode but shot a few images in JPEG as well so how they turned out.
See the sample images below
I loved the fact that shooting in RAW gave me the option to change the image to any of the Fujifilm Film presets such as Provia and Velvia available in-camera even in post. That is definitely one of the biggest draws for the Fujifilm cameras
The Lenses
The XF 23mm f 2.0 WR Lens
This is a very compact 23mm (36.8 mm full frame equivalent) lens. Its size is similar to that of Leica M Lenses. It is available in black and silver colours. I decided to try this lens out instead of the faster more expensive 23mm f 1.4 . That review will come at a later date.
Shot using XF 23 mm f 2.0 wide open. The camera and lens combination did pretty well in a backlit situation. But I was shooting with auto ISO setting and at ISO 800 which this image was taken there was a fair bit of noise compared to my 5D Mark iv. The nose was comparable to the noise that my Canon 5D mark iv produces at ISO 3200. The noise has a film grain though and it went away with a little bit of NR in Lightroom.
Shot using XF 23mm F2 R WR lens at f2.0 and 1/60 sec. The focus was fixed on the chair and when zoomed in i could see a lot of detail in the fabric. And the out of cows area was fairly smooth.
shot using XF 23mm f2 at f2.0 and 1/180 sec I feel the camera does well when the light levels are good. The camera set an ISO of 400 for this image as there was a lot of light coming from a window directly in front of subject. image has only a slight hint of noise at ISO 400.
2. 18-55mm f/2.8-4 OIS black
Shot on Fujifilm XT-3 with 18-55mm f 2.8-4.0 lens at 55mm f 6.4 and 1/80 sec unedited . The Leaf is focus and due to the small aperture even the texture of the road is sharp. This image is a 144 dpi jpeg of the original RAW image.
In the slideshow above the images were shot at focal lengths of 18mm 28mm 35mm and 55mm. As you can see the zoom range is quite useful(roughly 28mm to 88mm full frame equivalent).
In the image below I shot this scene at 55mm but the Egrets were still too small to see clearly. When I zoomed in and cropped there was still a lot of detail in the image.
shot using the XF 18-55mm f2.8-4.0 LM OIS Lens using ACROS V2 Simulation preset. I love the film simulations built into fujifilm cameras . Velvia and ACROSS are probably my favourites.
shot using XF 18-55mm lens at f 9.0 and 1/750 sec and edited in Lightroom to lift shadows . When i shot this scene which had a very wide dynamic range i had to ensure the highlights weren’t over exposed. But when i tried retrieving the details in the shadows in Lightroom there was an unnatural white appearing in the shadow areas.
Shot using Velvia Simulation.
Conclusion : i’m still on the wall regarding this camera. There are a lot of things going in its favour such as Ergonomics, weight , the good lenses from fuji and the built in film simulations. But with regards to ultimate image quality, noise in shadows etc i’m not convinced based on the short time i spent with the camera. Will need need to do a longer test before I can decide i want to buy into this camera system or not.
The RAF (FUJI RAW) Files seem to hold much more detail , dynamic and sharpness than the JPEGs which is the case with all cameras but here i found the JPEGs had good colour but bot the expected dynamic range.
I can see it being a nice walk about camera for casual reportage, shooting images for blog and during holidays and family portraits etc but for the type of work i do i think will have to stick with full frame and medium format for the time being.
Panasonic Lumix S1 and S1R - Mirrorless has finally matured!
One of the most interesting announcements at Photokina 2018 was by Panasonic when they announced the S1 and S1R Full Frame Mirrorless Cameras.Now after months of teasing and rumours the cameras are now ready for preorder and according to Panasonic will be ready for shipping by the end of March 2019.
These are my initial impressions on the Cameras based on the specs, images and videos I have seen on the web. I will come out with a proper review once i’ve had a chance to shoot with the camera.
I am truly excited about this camera specially the S1R. More so than any other mirrorless camera that have been announced over the last year or so.
Panasonic S1 and S1R Pro Level Full Frame Mirrorless Cameras with Leica L Mount
One of the most interesting announcements at Photokina 2018 was by Panasonic when they announced the S1 and S1R Full Frame Mirrorless Cameras.
Now after months of teasing and rumours the cameras are now ready for preorder and according to Panasonic will be ready for shipping by the end of March 2019.
Here are the Specs and Pricing in the USA. I am yet to receive the India and Singapore Pricing.
Panasonic Lumix S1
24.2MP Full-Frame MOS Sensor
$ 2,497.99 Body Only
$ 3,397.99 kit with 24-105 F4 Lens
5.76m-Dot 0.78x-Magnification OLED LVF
3.2" 2.1m-Dot Triaxial Tilt Touchscreen
UHD 4K60 Video; HDR and 10-Bit Recording
ISO 100-51200, Up to 9 fps Shooting
Contrast-Detect 225-Area DFD AF System
Sensor-Shift Image Stabilization
Weather-Sealed Construction
Memory Card Type :
XQD& SD
Image StabilizationSensor-Shift, 5-Way
96 MP High-Res Mode
L- Mount
Panasonic Lumix S1 R
47.3MP Full-Frame MOS Sensor
$ 3,697.99 Body Only
$ 4,597.99 kit with 24-105 F4 Lens
5.76m-Dot 0.78x-Magnification OLED LVF
3.2" 2.1m-Dot Triaxial Tilt Touchscreen
UHD 4K60 Video Recording
ISO 100-25600, Up to 9 fps Shooting
Contrast-Detect 225-Area DFD AF System
Image StabilizationSensor-Shift, 5-Way
Weather-Sealed Construction
187MP High-Res Mode,
XQD & SD Slots
L- Mount
These are my initial impressions on the Cameras based on the specs, images and videos I have seen on the web. I will come out with a proper review once i’ve had a chance to shoot with the camera.
I am truly excited about this camera specially the S1R. More so than any other mirrorless camera that have been announced over the last year or so.
The Bodies
Heres what I like about the cameras. The Camera body design looks solid with proper grip and size akin to that of a pro level DSLR.Both cameras are weather sealed. They have two card slots which is on Par for pro level cameras. The ergonomics and button layout seems to be well thought out and seems to be a mix of the best features from all the currently available cameras. From what I've seen the menu layout and design is clear and intuitive. All these are very important for the serious photographer who will be spending a lot of time shooting with the camera.
The 47 MP Resolution of the S1R is along the lines of the Nikon Z7 and the Sony A7RIII. Way more that the Canon EOS R which has a 30 MP sensor. That for me makes it ideal for shooting Landscapes and studio work and any other application where high resolution is required . At 9 frames per second its not slouch in the fps department.
The S1 with a 24 MP sensor with better low light performance and video features seems to be aimed at the Hybrid shooters who need both good still and video capabilities.
As a Landscape and Travel photographer who regularly prints and exhibits in large format I am particularly interested in the S1R with its high resolution sensor. I am curious to check out the High Dynamic Range and High Resolution Modes available in the S1R.
The Lens Ecosystem
First three lenses for the Panasonic S system
Panasonic is releasing three lenses along with the bodies to start with and have announced that they will have a number of lenses available by 2020. Being an L Mount camera the S1 and S1R can work with the entire range of Leica SL lenses. So if you have deep pockets that is the way to go. Further Sigma has announced they will be bringing out L mount version of their entire Art Line of lenses . So in a fairly short amount of time there will be a huge selection of Lenses available for this system to suit all budgets. That in theory makes this system a formidable and possibly class leading FF Mirrorless systems.
Leica L Mount Lenses..
Sigma Art Line coming soon for L Mount
To Summarise the S1 and S1R look like excellent options for the modern photographer. The S1R is the type camera I always hoped that Canon would release. But so far Canon has disappointed. Now I am hoping Sigma or other 3rd party manufacturer will release a quality adapter that will allow me to adapt my EF lenses to this camera. I look forward to testing these cameras so I can decide whether to invest in this system.
For photographers who are looking to build a new mirrorless system from scratch the Panasonic Lumix S1 and S1 R should be on the top of your shortlist.
My Thoughts on the Canon EOS R and RF Lenses - Canon's Foray into Full Frame Mirrorless
But the specs of the EOS R were definitely disappointing for me. After such a delayed entry into full frame Canon released a camera with specs inferior to even the 3 year old 5D Mark 4. So this seemed to be aimed at the 6D users. Why? The camera just isn’t interesting enough to look at as an upgrade from either of my current cameras. So now the wait and search continues for alternate camera systems.
This is not a detailed review of the camera and lenses but rather my opinion having handled the camera briefly at a dealership and having poured through the specs and the numerous reviews and feedback from actual users that I have seen on the web.
The Camera
As a Loyal Canon DSLR user for about 20 Years now I have been eagerly waiting for Canon to release their full frame Mirrorless offerings. I have been watching the progress of companies such as Sony and Leica with their full frame and Fuji and Hasselblad with their Medium Format mirrorless offerings and felt that mirrorless has matured to the extent that it makes sense for serious amateurs and even professionals to move to mirrorless due to the unique features and advantages they provide such as Focus Peaking, lighter weight, more compact size, high res EVFs etc.
Given the backdrop of offerings from above mentioned companies and also the newly announced Z6 and Z7 cameras from Nikon and also having owned and used the Canon 5DS-R and 5D Mark iv for a few years now my expectations from Canon was reasonably high. I was looking for a capable upgrade to the 5DS-R and 5D Mark iv. Ideally a camera that combined the best of what both my cameras offered and some more in terms of the latest sensors and mirrorless technology. I was hoping for a camera that had had 50 Megapixels or more and a class leading dynamic range with low noise at high ISOs. I don’t shoot much video and am quite happy with HD Video so video features weren’t so important for me.
But the specs of the EOS R were definitely disappointing for me. After such a delayed entry into full frame Canon released a camera with specs inferior to even the 3 year old 5D Mark 4. So this seemed to be aimed at the 6D users. Why? The camera just isn’t interesting enough to look at as an upgrade from either of my current cameras. So now the wait and search continues for alternate camera systems.
You can view the full specs here
The Lenses
Canon seems to be on the right track with the new lens RF Lens range . The RF 24-105 f4 seems to be a great kit lens with all around abilities. The other lenses in the lineup also seems to be of very high quality albeit a little expensive. Now I just hope that Canon brings out higher resolving cameras with good dynamic range soon to match the new lenses.
Nikon Enters the Full Frame Mirrorless Market with a Bang. introducing the Z7 and Z6 !
Nikon has finally entered the Full Frame mirrorless camera market with the Z7 and the Z6 and three lenses and a 4th in development.
Nikon Z7
After a long wait by Nikon fans the Company has finally introduced its first full frame mirrorless offerings the Z7 a high resolution model with 45 Megapixels and the Z6 a low light high frame rate model with 24 Megapixels.
The Internet has been abuzz in anticipation of this launch and I must admit even though I'm primarily a Canon user have been waiting eagerly for this announcement. I know if Nikon entered the market it would only be a matter of time before Canon does too.
The Specifications
Z7
45.7MP FX-Format BSI CMOS Sensor
EXPEED 6 Image Processing Engine
UHD 4K30 Video; N-Log & 10-Bit HDMI Out
493-Point Phase-Detect AF System
Built-In 5-Axis Vibration Reduction
0.80x 3.6m-Dot EVF with NIKKOR Optics
3.2" 2.1m-Dot Tilting Touchscreen LCD
9 fps Continuous Shooting; ISO 64-25600
Z6
24.5MP FX-Format BSI CMOS Sensor
EXPEED 6 Image Processing Engine
UHD 4K30 Video; N-Log & 10-Bit HDMI Out
273-Point Phase-Detect AF System
Built-In 5-Axis Vibration Reduction
0.80x 3.6m-Dot EVF with NIKKOR Optics
3.2" 2.1m-Dot Tilting Touchscreen LCD
12 fps Shooting; ISO 100-51200
My Initial Impressions
The Z7 and Z6 Bodies
Appearance 8/10
The bodies look true to the Nikon design language which has evolved over a lot of trial and error. They are not the best looking cameras in the market but look very functional.
Ergonomics 8/10
The bodies look sturdy and are supposed to have weather sealing to the level of the proved D850 which a great thing. The grip is nice and deep and DSLR users will find it handy and superior to the ones on Sony Cameras
Specs 8/10
The specs of the two bodies are spot on to compete with other class leaders in the market namely the Sony A7R 3 and the A7 3. They are also on park with Nikons DSLR offering the D850 and the D750 respectively. The pecs look goo for both still photography and videography.
The 5- axis images stabilisation stands out for me. Plus all the bells and whistles expected of pro level mirrorless camera are there.
The one feature that is glaringly missing is a 2nd memory card slot. I have been shooting to multiple memory cards for all my photography for the last several years. This redundancy gives me peace of mind that I have my images safe in a 2nd card, in case one card gets corrupted or broken.
Price 9/10
The prices seem reasonable and logical based on what the camera offer. Long term value for money is something only time will tell.
The Native lenses
The 24-70 kit lens and the 50mm f 1.8 and 35mm f1.8 I am not fancy about their appearance. Compared to the fantastic designs we have been seeing from Sigma Art Line or even to the F line from Nikon the lenses seem ungainly and not well proportioned. But what matters most is optical performance and that I can comment about only after first hand shooting with the system.
The FTZ LENS ADAPTOR
Its great that Nikon has brought out an adaptor that makes all their F mount lenses compatible with these new bodies. That means current Nikon users can continue to use their existing lenses albeit with slightly lower performance compared to the native lenses being developed for teh system.
Summary
Nikon has entered the full frame mirrorless arena with an impressive system that is of Pro quality and is only going to get better from here. Cant wait to see what Canon comes up with now and what Sony responds with.
Launch Prices for the new Z system Cameras and S Lenses in US
Nikon Z7 Mirrorless Digital Camera with 24-70mm Lens and FTZ Adapter Kit -$4,146.90
Nikon Z7 Mirrorless Digital Camera with 24-70mm Lens - $3,996.95
Nikon Z6 Mirrorless Digital Camera with 24-70mm Lens and FTZ Mount Adapter Kit - $2,746.90
Nikon Z6 Mirrorless Digital Camera with 24-70mm Lens - $2,596.95
See the Full Press release below
Nikon releases the NIKKOR Z 24-70mm f/4 S, NIKKOR Z 35mm f/1.8 S, NIKKOR Z 50mm f/1.8 S, and the Mount Adapter FTZ, and develops the NIKKOR Z 58mm f/0.95 S Noct
August 23, 2018
Designed exclusively for the Nikon Z mount system, featuring a new, larger-diameter mount
TOKYO - Nikon Corporation (Nikon) is pleased to announce the release of three new lenses compatible with the Nikon Z mount system's full-frame (Nikon FX format) mirrorless cameras, for which a new larger-diameter mount has been adopted, as well as the Mount Adapter FTZ. The three new lenses are the standard zoom NIKKOR Z 24-70mm f/4 S, the wide-angle prime NIKKOR Z 35mm f/1.8 S, and the standard prime NIKKOR Z 50mm f/1.8 S.
NIKKOR Z lenses pursue a new dimension in optical performance, by taking advantage of the superior design flexibility made possible by the combination of the larger Z mount with its inner diameter of 55 mm, and a short flange focal distance of 16 mm. The lenses offer sharp resolution with both still-image and movie recording capability, and are equipped with functions that include: compensation for focus breathing (the shifting of the angle of view when focus is adjusted), quiet operation, smooth exposure control, a control ring, and performance that are all well suited to movie recording.
The NIKKOR Z 24-70mm f/4 S, NIKKOR Z 35mm f/1.8 S, and NIKKOR Z 50mm f/1.8 S are S-Line interchangeable lenses. The S-Line is a newly designated grade of NIKKOR Z lenses that adhere to a new benchmark in optical performance, creating new definitions of design principles and quality control. These lenses realize a rendering performance that surpasses that of conventional f/4 standard zoom lenses and f/1.8 wide-angle or standard prime lenses. From maximum aperture, clear and sharp resolution can be achieved as well as beautiful bokeh characteristics.
Additionally, the Mount Adapter FTZ has been designed to allow users of Nikon SLR cameras to utilize their existing NIKKOR F mount lenses with the Z mount system and enjoy taking advantage of an even wider variety of lens characteristics with their photography.
Development of the NIKKOR Z 58mm f/0.95 S Noct
Nikon is currently developing the NIKKOR Z 58mm f/0.95 S Noct, the fastest lens in Nikon's history*, a standard prime manual focus lens. The design of the Noct lens exemplifies Nikon's mission to pursue the ultimate optical performance in the mirrorless category. As the result, the Noct is positioned it at the top of the S-Line. In addition, Nikon is planning on releasing a variety of new lenses that will continue to expand its line of attractive, high-performance NIKKOR Z lenses that further extend photographers' creative expressions.
*Within interchangeable lenses for Nikon SLR cameras and Advanced Cameras with Interchangeable Lenses.
NIKKOR Z 24-70mm f/4 S primary features
Standard focal-length range from wide-angle 24 mm to medium-telephoto 70 mm can effectively cover a wide variety of scenes and subjects with rendering performance that will change the perception of zoom lenses with a maximum aperture of f/4
Optical design that suppresses variations in aberrations from shooting distances of close-up to infinity, demonstrating sharp resolution even in the peripheral areas of the frame from the maximum aperture, and fine point-image reproduction
Achieved a minimum focus distance of just 0.3 m across the zoom range
Adoption of an ED glass element, an aspherical ED lens element, and three aspherical lens elements
Nano Crystal Coat adopted to suppress ghost and flare
Has the size needed to deliver an extremely high standard of optical performance, yet provides outstanding portability; employs a retracting mechanism that can be set on/off without pressing a button and reduces total length for a compact lens that can easily be taken anywhere
In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed
Fluorine coat applied to front lens surface
NIKKOR Z 35mm f/1.8 S primary features
Rendering performance that redefines perceptions of what a 35 mm f/1.8 lens can do
Sharp resolution even in the peripheral areas of the frame from the maximum aperture, provide effective suppression of sagittal coma flare that enables superb point-image reproduction when capturing point light sources in night landscapes, and the soft and natural bokeh characteristics expected of a fast (bright) lens
Adoption of a new multi-focusing system achieves quiet, fast, and accurate AF control, as well as high image-forming performance at any focus distance
Adoption of two ED glass elements, and three aspherical lens elements
Nano Crystal Coat adopted to suppress ghost and flare
In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed
NIKKOR Z 50mm f/1.8 S primary features
Superior rendering for exquisite image expression that redefines perceptions of what a 50 mm f/1.8 lens can do
Thorough suppression of axial chromatic aberration ensures superior resolution with faithful reproduction of the fine textures in subjects, even from maximum aperture
Sharp and clear rendering of details from the center of the frame to the peripheral edges, regardless of the shooting distance
The soft and beautiful bokeh characteristics at any shooting distance possible only with a fast (bright) lens
Adoption of two ED glass elements, and two aspherical lens elements
Nano Crystal Coat adopted to suppress ghost and flare
Adoption of a new, powerful stepping motor (STM) enables quiet and accurate AF control with both still-image and movie recording
In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed
Mount Adapter FTZ primary features
Shooting with AE, or AF/AE, is available with approximately 360 NIKKOR F lenses from AI type onwards*
The unique characteristics of NIKKOR F mount lenses can be applied to Z mount system image quality
In-camera VR (Vibration Reduction) available when attaching a NIKKOR F lens without built-in VR; in-camera VR also performs well with movie recording
When attaching a NIKKOR F lens with built-in VR, lens VR and in-camera VR effectively work together to compensate for camera shake by enabling three-axis VR
Various sections of the adapter are effectively sealed to ensure dust- and drip-resistant performance equivalent to that of NIKKOR F lenses
Designed to be lightweight yet tough, with consideration for superior operability as a part of a complete system
*Shooting with AF/AE is not possible with some lenses
Development of the new NIKKOR Z 58mm f/0.95 S Noct lens that pursues ultimate optical performance
The NIKKOR Z 58mm f/0.95 S Noct that Nikon is currently developing will be a large aperture, standard 58 mm prime focal-length, the fastest lens in Nikon's history*, manual-focus lens positioned at the very top of the S-Line. It will symbolize the Nikon Z mount system's new dimension in optical performance.
It has inherited the design concept behind the original AI Noct-Nikkor 58mm f/1.2, a standard prime lens released in 1977, named for "Nocturne" (a musical composition inspired by or evocative of the night), and popular for its ability to finely reproduce point light sources as point images. This new Noct lens that is currently in development will take advantage of advanced design flexibility, afforded by the Z mount, pursuing ultimate optical performance. Development continues with the goals of achieving an extremely fast maximum aperture of f/0.95, offering the ultimate in NIKKOR rendering performance with superior detail and sharpness. Additionally, the goal is to achieve beautiful blur characteristics, or bokeh, with good continuity, while ensuring outstanding point-image reproduction capabilities for more compelling, three-dimensional imaging.
*Within interchangeable lenses for Nikon SLR cameras and Advanced Cameras with Interchangeable Lenses.
·Information regarding the release of this product will be announced at a later date.
The NIKKOR Z Lens Roadmap
*Information in the roadmap, including release dates, are subject to change. Product names after the NIKKOR Z 58mm f/0.95 S Noct are not yet finalized.
Cant wait till the release? Here are Other Full Frame Camera Options available now
Arca Swiss C1 Cube Geared Tripod Head
I love this head and try to use it as often as I can specially when capturing special landscapes and panoramas. But the truth is I keep grabbing for my lighter and quicker to setup B1 ball head if I'm travelling or hiking to save on weight as I can pair those with a lighter tripod.
But I highly recommend the C1 for the dedicated Landscape photographer or wherever precision compositions are required.
Specs
Head Type : Geared Head
Base Mount : 3/8"-16 Thread
Quick Release Plate : ARCA SWISS TYPE COMPATIBLE
Load Capacity : 85 lb / 39 kg
Number of Bubble Level(s) : 2
Friction Control :Yes
Panning Range. : 360°
DimensionsH: 4.3 x W: 4.3 x L: 4.3" / H: 110.0 x W: 110.0 x L: 110.0 mm
Weight : 2.19 lb / 994 g
Overview
The Arca-Swiss C1 Cube is a three-axis panoramic head with a 66 lb load capacity, making it ideal for use with the heaviest cameras while maintaining a high degree of accuracy. The C1 Cube allows for finely-calibrated gearless panning adjustments with tension control. The two panoramic axes permit you to first center the Cube's controls to your position with the bottom axis, and then readjust the camera to point straight ahead with the upper axis.
The gears' rubberized knobs give pinpoint control even when wearing gloves, and don't obstruct the head's movements. On the bottom there's a hinge allowing 62° tilt so that most cameras can reach the 90° vertical position. On top of the Cube there are two bubble levels and Arca-Swiss' Classic style quick release clamp.
Although universal, the Cube's main use is in architectural and studio work, where precise movements and adjustments are required. Also suitable for macro photography, its design allows far fewer focusing readjustments while creating images. It essentially places the camera inside a sphere, as if the axes met at a point upon the image plane itself, with the camera rotating around a stationary image plane.
This engineering feat was achieved to minimize movements to the optical system's entrance pupil during composing, making for speedier field work free of perpetual height and focus adjustments.
Highlights of the C1
Compatible with Arca's Classic quick release system
Sophisticated engineering, machined from a single billet
Designed in Switzerland, manufactured in France
Geared x-y axes with adjustable gear tension and 28° of motion
Third 62° tilt-only axis underneath geared adjustments
Rubberized knobs easily manipulated in the cold and with gloves
Movements allow camera's image plane to stay relatively stationary, easing macro work
Arca-Swiss C1 Cube Geared Head with Arca Classic Quick Release
Limited 5-Year Warranty
checkout this video on C1 by Ben Home
My Review
Build Quality : 10/10
Design: 9/10
Usability : 8/10
The Pros :
I have had the C1 GEARED TRIPOD HEAD for a few years now. This is the head I use for the most detailed Landscape images. The C1 is probably the most well built piece of photography gear I own and that says a lot. Its a precision engineered tool. its meant for the most dedicated Landscape or Architectural photographer. The range of movements coupled with the precise feel allow for minute adjustments in composition to get the perfect image.
The Cons:
Due to the weight and size of it I usually pair it with an equally robust tripod a 5 series Gitzo . That means I am limited to shooting within a short distance from my car as the combination of tripod, head , camera and lens can easily weigh 10-20lbs or 5-10 kgs .
It takes practice to be able to use the cube in a smooth and quick manner as compared to a regular ball or 3 way head.
Its also an expensive piece of kit.
Summary : I love this head and try to use it as often as I can specially when capturing special landscapes and panoramas. But the truth is I keep grabbing for my lighter and quicker to setup B1 ball head if I'm travelling or hiking to save on weight as I can pair those with a lighter tripod.
But I highly recommend the C1 for the dedicated Landscape photographer or wherever precision compositions are required.
Some Reccomended Tripod and Heads
Mindshift Gear Backlight 26 L Backpack
The BackLight 26L, with a rear-panel compartment for photo gear, allows you to access your gear without taking off the backpack.
You can change lenses or just snap a quick photo by simply by spinning the bag to the front of your body while the waist belt is still secured.
Comes in a choice of three colours
Specifications
Interior Dimensions:
10.2” W x 19.3” H x 5.9” D (26 x 49 x 15 cm)
Exterior Dimensions:
11.4” W x 20.3” H x 7.9” D (29 x 51.5 x 20 cm)
Laptop:
10” W x 15.3” H x 1”D (25.5 x 38.8 x 2.5 cm)
Tablet:
9.3” W x 10.2” H x 0.6” D (23.5 x 26 x 1.5 cm)
Weight: 3.9lb (1.8kg)
Volume: 26 Liters
Price : USA $ 250 USD, Singapore $319 SGD, India INR 40,000
The Press Release
The BackLight 26L, with a rear-panel compartment for photo gear, allows you to access your gear without taking off the backpack.
You can change lenses or just snap a quick photo by simply by spinning the bag to the front of your body while the waist belt is still secured.
KEY FEATURES:
- Back-panel access provides access to all of your camera gear without taking the bag off, allowing you to work out of your bag without getting the harness dirty, wet, muddy or icy.
- Dedicated compartments fit up to a 15” laptop and full-size tablet.
- Daypack capacity! Front pockets totaling 9L carry personal gear for a days outing: extra layers, a light jacket, food, etc.
My Short Term Review
I have had an opportunity to do just one 2 week shoot with this backpack. In this short time I have begun to become fond of this bag. Its well built and has enough space to pack in all the gear and accessories that are needed for a 2 week landscape or travel shoot. Having said that it does not have the carrying capacity of a bigger bag like the Gura Gear 30 L(discontinued now) which I have had for a while now or its own sibling the backlight 36 L. But as I get older I find that this 26L Capacity hits the sweet spot between capacity and weight. It has forced me to carry just the gear I need and nothing more.
This is now my main bag for shoots ranging from 2 days to 2 weeks. For shorter shoots I carry a smaller bag by lower and for longer shoots I will use the Gura Gear bag.
Build Quality : 9/10
Ergonomics : 8/10
Usability : 9/10
Gear Holding Capacity : 7/10
From the short time I have had this bag I can easily recommend this bag to anyone who is looking for a midsize camera backpack. Its really one of the best mid size camera backpacks available now.
Canon 5DS-R Long term review
I believe the 5DS R represents good value for money specially now in 2018 if you can get hold of one the price is now considerable lower than it was a time of release.considering all that it offers. Sure there are competitors that may outperform it in specific areas but the 5DSR is a terrific CAMERA for High Resolution work such as landscape photography and for studio work requiring fine details. Well built to last a long time and to bear the rigours of professional use. It does a lot of thing very well and for canon users who will be shooting primarily portraits, events, weddings, landscapes, this is a good overall choice available now as long as the increased file size does not effect your workflow too much
Quick Facts
MRP : INR 2,65,000 (AS OF JUN 2015)
Retail : INR 2,00,000
Date introduced : February 2015
Maximum format size : 35mm full frame
Sensor and Resolution : CMOS 50.6Megapixels
Lens Compatibility : Canon EF Mount
The CANON 5DS R..one of the most awaited cameras by Canon users who were looking to upgrade from the venerable but aging 5D Mark iii was finally released in February 2015 and became available in India around Jun 2015.This was Canon's answer to the Megapixel wars happening around that time with Nikon.
Build Quality 8/10
Build Quality is good and consistent with the trend set by its predecessors in the 5D Series. It about the same weight as the 5D Mark iii . The weather sealing also along the same lines as the 5D Mark iii and wasn't improved till the 5D Markiv came out in 2016. But it is still a solid camera and I don't have any qualms shooting with it in a light drizzle or in cold weather..It performed extremely well on my recent trip to Lapland during winter and never let me down.
Ergonomics 8/10
If you are already familiar with the 5D,5D Mark ii or 5D Mark iii then this camera will feel familiar to you. Even otherwise I think Canon has got its camera ergonomics down pat and a user can quickly get comfortable with the layout of the controls.
Features
- 50MP CMOS sensor
- 5 fps continuous shooting
- ISO 100-6400 (Extends to 12,800)
- 61-point AF module with input from 150k pixel metering sensor
- Dual Digic 6 processors
- 3.0" 1.04M-dot LCD
- CF & SD slots (UHS-I compatible)
- 1080/30p video
- M-Raw and S-Raw downsampled formats
- 30MP APS-H crop and 19.6MP APS-C crop modes
- USB 3.0 interface
Autofocus Performance 8/10
The 5DS R has essentially the same focusing system from the 5D Mark iii which is pretty good in most normal conditions.
Burst Rate 7/10
The Burst rate has been maintained at 5 Frames per second like the 5D iii.
High ISO Performance 7/10
The High ISO performance is on par with the 5d mark iii. So I find myself reaching for my Canon 5D Mark 4 in low light or high ISO situations. I find I am comfortable shooting with this camera up to ISO 1600 .
Image Quality 8/10
There are a number of parameters that can be used to define image quality. What I am referring to here is the look of the image which is largely determined by Colour Accuracy, Contrast, Resolution, focus accuracy. I still feel the benchmark for image quality are the Leica cameras. And the Hasselblad medium format image has the feel of film which has more feel and drama compared to any of the 35mm DSLRs and this is no exception. Landscape images need some tuning in Lightroom or other image editing software to get the best out of the scene. Portraits are neutral enough and the increased red in skin tones which was the bane of most canon DSLRs is not longer a problem. Will post some images straight out of camera here and you can make your own judgement.
Value for Money 8/10
I believe the 5DS R represents good value for money specially now in 2018 if you can get hold of one the price is now considerable lower than it was a time of release.considering all that it offers. Sure there are competitors that may outperform it in specific areas but the 5DSR is a terrific CAMERA for High Resolution work such as landscape photography and for studio work requiring fine details. Well built to last a long time and to bear the rigours of professional use. It does a lot of thing very well and for canon users who will be shooting primarily portraits, events, weddings, landscapes, this is a good overall choice available now as long as the increased file size does not effect your workflow too much.
SAMPLE IMAGES FROM CANON 5DS R
Interested? Here is a link to shop for more cameras.
Sigma 20mm f1.4 Art Lens Review
Quick Facts
Retail : INR 91,500- INR 103,000
Date introduced : May 2016
Maximum format size : 35mm full frame
Focal length : 20mm
35mm equivalent focal length (APS-C) : 32 mm
Weight : 953 gms
The Press Release
The Sigma 20mm 1.4 DG HSM Art is a state of the art wide-angle prime lens designed for Full Frame cameras but will work with APS-C sensors as well. Using over 50 years of lens making experience, particularly the knowledge gained from the 35mm 1.4 Art and the 24mm 1.4 Art, the 20mm 1.4 Art is the widest large aperture Art lens to date. The latest optical design allows for the utmost in image quality with careful attention paid to edge to edge performance.
Through decades of experience in lens design and Sigma Global Vision lens manufacturing, the 20mm incorporates both “F” Low Dispersion (FLD) glass, and five Special Low Dispersion (SLD) glass in a design of 15 elements in 11 groups. The combination of advanced optics and optimized lens power distribution minimizes spherical aberration, axial chromatic aberration and field curvature, producing outstanding image quality. With class leading performance, this lens is ideal for landscape photography, videography, astrophotography, lowlight/indoor photography and event photography.
As with all Global Vision lines, the 20mm will be tested using the proprietary “A1” measuring system ensuring the highest standard of operation. The Sigma 20mm Art is compatible with the USB dock to update and customize and is also compatible with the Mount Conversion Service. A staple procedure for the Global Vision lines, every lens will be tested using the proprietary “A1” measuring system.
Auto Focusing Performance 7/10
in AF mode the Sigma 20mm f1.4 Art is moderatley quick and accurate in acquiring focus in normal available light situations and studio conditions and works well even less than ideal conditions.The Autofocus performance of this lens is among the best in class when compared to other wide angle f1.4 AF lenses. Such lenses when used in a landscape application are anyway used in manual focus mode so the auto focusing is not used as often as in a portrait lens.
Sharpness 9/10
This lens produces sharp images even from wide open at f1.4. And not surprisingly is very sharp between f5.6 and f8.0 the sweet spot for most lenses. Stopping down beyond f8 does not given any increase in sharpness. The image contrast and colour rendition are also very good.
Bokeh 8/10
The wide f1.4 Aperture allows one to create smooth background blur(BOKEH) on a full frame camera. I find the bokeh to be very nice and pleasing . I am beginning to appreciate the use if wide angle lenses with large apertures to create pleasing environmental portraits.
Build Quality 8/10
The 20mm f1.4 Art lens seems to be built solidly and designed for the rigours of professional use.But only time will tell. This is a big heavy lens but balances fairly well with my Canon 5D IV body. The lens gives me the confidence to use it as a workhorse in landscape shoots and also environmental portraits. But the huge size and weight does make it a little difficult to carry around but if you make the effort it gives great results. I shot a lot with this lens during my trip to lapland.
Value for Money 8/10
At INR 91,000 retail this lens might feel expensive But is still cheaper compared to the equivalent canon lens. The Image quality, performance and build quality along with the added light capturing ability at f1.4 makes this a solid choice for amateur or professional landscape photography.
SAMPLE IMAGES FROM SIGMA 20MM ART F1.4
You can use the quick link below to shop for this lens.
Sigma 85mm f1.4mm Art Lens Review
The Sigma 85mm 1.4 DG HSM Art is the latest addition to the world renowned Sigma Global Vision Line. Designed and engineered for unparalleled image quality, the Sigma 85mm 1.4 Art employs a completely new optical design and premium components. 2 FLD (performance equal to fluorite) glass elements and 1 element boasting a high rate of anomalous partial dispersion and high refraction achieve a class leading level of performance. The highly anticipated 85mm 1.4 Art is an ideal lens for a variety of photographic subjects, particularly portrait photography, both in-studio and on-location.
Quick Facts
Retail : INR 72,900-79,900
Date introduced : September 2016
Maximum format size : 35mm full frame
Focal length : 85mm
35mm equivalent focal length (APS-C) : 136 mm
The Press Release
The Sigma 85mm 1.4 DG HSM Art is the latest addition to the world renowned Sigma Global Vision Line. Designed and engineered for unparalleled image quality, the Sigma 85mm 1.4 Art employs a completely new optical design and premium components. 2 FLD (performance equal to fluorite) glass elements and 1 element boasting a high rate of anomalous partial dispersion and high refraction achieve a class leading level of performance. The highly anticipated 85mm 1.4 Art is an ideal lens for a variety of photographic subjects, particularly portrait photography, both in-studio and on-location. The newly updated Hyper Sonic Motor (HSM) allows for 1.3X the torque of previous generations for fast and efficient autofocus. Through rigorous testing, the Sigma 85mm 1.4 Art ushers in a new era of quality and performance for this popular fast prime focal length. A 9 blade rounded diaphragm creates beautiful background bokeh to isolate and accentuate the subject. Full Time manual focus can be engaged by rotating the focusing ring, even when shooting continuous autofocus and a state-of-the-art electronic diaphragm is included for lenses in the nikon mount.
Auto Focusing Performance 7/10
in AF mode the Sigma 85mm f1.4 Art is moderatley quick but very accurate in acquiring focus in normal available light situations and studio conditions and works well even less than ideal conditions.The Autofocus performance of this lens is among the best in class when compared to other f1.4 AF lenses.
Sharpness 9/10
This lens produces sharp images even from wide open at f1.4. And not surprisingly is very sharp between f5.6 and f8.0 the sweet spot for most lenses. Stopping down beyond f11 does not given any increase in sharpness. The image contrast and colour rendition are also very good.
Bokeh 8/10
The wide f1.4 Aperture allows one to create smooth background blur(BOKEH) on a full frame camera. I find the bokeh to be very nice and pleasing
Build Quality 9/10
The 85mm f1.4 Art lens seems to be built solidly and designed for the rigours of professional use.But only time will tell. This is a big heavy lens but balances fairly well with my Canon 5D IV body. The lens gives me the confidence to use it as a workhorse in portrait shoots.
Value for Money 10/10
At INR 79,000 retail this lens might feel expensive compared to say a canon f1.8 but the Image quality, performance and build quality along with the added light capturing ability at f1.4 makes this a solid choice for professional portrait photography.
You can use the quick links above to shop for this lens.
Canon 5D Mark 4 initial impressions
Quick Facts
MRP : INR 2,54,998
Retail : INR 2,20,000
Date introduced : September 2016
Maximum format size : 35mm full frame
Sensor and Resolution : CMOS 30.4 Megapixels
Lens Compatibility : Canon EF Mount
The CANON 5D MARK IV..one of the most awaited cameras by Canon users who were looking to upgrade from the venerable but aging 5D Mark iii was finally released in September 2016. I had my very own piece in hand by October when it was became available in India. Canon has done a great job of improving the handling and functionality while still keeping the layouts and menus familiar to 5D III users.
Build Quality 8/10
Build Quality is good and consistent with the trend set by its predecessors in the 5D Series. It is noticeably lighter than the 5D Mark iii and that is a welcome improvement. The weather sealing has been upgraded to make it more of an all weather companion.
Ergonomics 8/10
If you are already familiar with the 5D,5D Mark ii or 5D Mark iii then this camera will feel familiar to you. Even otherwise I think Canon has got its camera ergonomics down pat and a user can quickly get comfortable with the layout of the controls. There are a few additional ,tweaks compared to the mark iii but one get can used to them pretty quick. The Menu has expanded further with more options for tuning the setting as per your needs but will increase the learning curve for those new to a professional full frame camera. A good book or class for orientation of this camera would be useful to cut short the learning curve and getting the most out of the camera which has a lot to offer.
Features
- New 30.4MP CMOS full-frame sensor with Dual Pixel AF
- DCI 4K 30/24p video using Motion JPEG + 4K Frame Grab
- 61-point AF system with 41 cross-type sensors (center point sensitive to -3 EV)
- Dual Pixel AF (sensitive to -4EV) for continuous Servo AF in stills (first for a full-frame Canon camera) and video
- ISO 100-32000 (expandable to 102400)
- 7 fps continuous shooting
- Dual Pixel Raw (image microadjustment, bokeh shift, ghosting reduction)
- 150,000-pixel RGB+IR metering sensor
- 1.62M-dot 3.2" full-time touchscreen
- Wi-Fi w/ NFC + GPS
- Built-in bulb timer interval timers
- Improved weather-sealing
Autofocus Performance 8/10
The 5D Mark iv has the Focusing system from the 1DX Mark 2. With 61 AF points of which 41 are cross type(meaning more compatible with slower lens/TC combinations) the 5D 4 should perform better than the 5D3 which was no slouch. I haven't had a chance to shoot too many moving subjects with this camera yet. Will have more details on that in my mid term review of the camera. For still subjects in normal light the AF is smooth and Fast.The low light performance is also quick and doesn't hunt as much as the 5D iii.
The Dual Pixel AF also means improved AF during video. More about this in my midterm review of the camera.
Burst Rate 7/10
The Burst rate has been increased to 7 Frames per second from 5 FPS for the 5D iii. This improvement makes the camera that much more viable for wildlife and action photography while still not being on par with a 7D mark ii or 1DX Mark ii or for that matter a D500 or D5 from the Nikon stable. Will be taking this camera out for some birds in flight photography and share my observation in the midterm review..
High ISO Performance 9/10
This is an area where this camera shines. It's high ISO performance is a marked improvement from the Mark iii and almost on par with the 1D Mark ii in this area. I have shot images at ISO 1000 which were as clean as the images shot at ISO 640 on the 5D Mark iii. I wouldn't hesitate to shoot at ISO 1600 or even ISO 3200 in some situations now. I haven't come close to pushing this camera to its limits in terms of high ISO performance but with some Astro photography in the plans should be able to really test this camera.
Image Quality 8/10
There are a number of parameters that can be used to define image quality. What I am referring to here is the look of the image which is largely determined by Colour Accuracy, Contrast, Resolution, focus accuracy. I still feel the benchmark for image quality are the Leica cameras. And the Hasselblad medium format image has the feel of film which has more feel and drama compared to any of the 35mm DSLRs and this is no exception. Landscape images need some tuning in Lightroom or other image editing software to get the best out of the scene. Portraits are neutral enough and the increased red in skin tones which was the bane of most canon DSLRs is not longer a problem. Will post some images straight out of camera here and you can make your own judgement.
Value for Money 9/10
I believe the 5D 4 represents good value for money considering all that it offers. Sure there are competitors that may outperform it in specific areas but the 5D4 is a terrific all rounder. Well built to last a long time and to bear the rigours of professional use. It does a lot of thing very well and for canon users who will be shooting primarily portraits, events, weddings, landscapes, astrophotography, this is the best overall choice available now.
Interested? Here is a link to shop for the camera.
Sample images
